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God Tussi Great Ho – Pathetic at Box Office

If you are in Mumbai and looking for some dealers in stolen property, the folks to contact are two kameena (scoundrels) Amitabh Bachchan and Salman Khan.

Both these thieves seem to have made a habit of profiting from others’ intellectual property (Examples: Partner (Hitch), Ek Ajanabee (Man on Fire), Hum Kisi Se Kum Nahin (Analyze This).

Since these two blackguards Amitabh and Salman are not kids and have unfortunately been around for donkey’s years in Bollywood, they can’t use the old, criminals excuse that they didn’t know it.

God Tussi Great Ho is the latest example of these two Bollywood stars involving themselves with stolen property.

Say what you will but God Tussi Great Ho is a pathetic copy of the Jim Carrey comedy Bruce Almighty (2003).

Bruce Almighty was a fairly decent comedy thanks to Jim Carrey’s superb performance.

The best that can be said of God Tussi Great Ho is that it reminded us of photos of advanced stages of syphilis we once saw in a book at one of the British Council libraries in India.

God Tussi Great Ho is that bad.

Although these two dinosaurs Salman Khan and Amitabh Bachchan have been around in Bollywood for a gazillion years, yet their performance in God Tussi Great Ho is not even a millionth as good as that of Jim Carrey and Morgan Freeman in Bruce Almighty.

Like Bruce Almighty, God Tussi Great Ho is the story of an young man Arun Prajapathi a.k.a AP (Salman Khan) who constantly rails against God for his bad luck prompting God (Amitabh Bachchan) to hand over his responsibilities to AP for 10 days.

Watching Salman Khan in God Tussi Great Ho is punishment for sins committed in the last seven lives. This fella is that bad, particularly in the early scenes when standing on the window ledge of a high building he yells at God in the ugliest possible manner. Like a lunatic.

Jim Carrey is a class actor. Salman Khan a crass actor at best. Continue reading »

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Although we have never published posts by outsiders on this blog in the past, we are making an exception in this instance. The below post is a great response to a comment on our review of U Me Aur Hum. The author Araj, a reader of the SearchIndia.com blog, is responding belatedly to a comment from tsk_tsk  on July 7th, 2008 at 1:50 am to our review of U Me Aur Hum. The reason for publishing Araj’s comment as a separate post is to give it greater exposure as otherwise this fine piece would get buried as a comment on a movie released four months back (April 2008).

Here is Araj’s comment on tsk_tsk‘s comment to the U Me Aur Hum Review:

1) Your statements are contradictory. On one hand, you say Hollywood lacks originality ‘coz its movies are ‘copies of books’ and on the other you condone Indian plagiarism since it adds to the ‘beauty of the originals’ which, according to you, are highly unoriginal in the first place since they are mere copies of ‘original’ books. Therefore, do you mean to say ‘copy of a copy’ is better than ‘just a copy’?

2) My dear, a film that is based on a book is called an ‘adaptation’ for christ’s sake, not a ‘copy’( if you do not know what is an adaptation and the kinds of adaptations, read en.wikipedia.org/wiki/Film_adaptation. You will get an idea.). An adaptation is an age-old tradition of art of movie-making as it helps a film-maker to explore the facets of life that otherwise lie outside his experiential jurisdiction hence inaccessible. Adaptation is a technique that enables the filmmaker to draw from the collective perspicacity of the authors whose works he can convert into screenplays. Because, from a deepest creative viewpoint, making movies is an impossibly unsustainable task i.e. one cannot keep on making great movies drawing from one’s own experiential pool alone however abundantly imaginative one’s mind is. Literature, therefore, frees the mind of a film-maker from Continue reading »

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