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Darling kadhu, Parama Daridram idhi (horrible nonsense).

Let the word go forth from this time and place, to friend and foe alike, that the stinking garbage torch has been passed in Tollywood to a new Telugu movie Darling,  conceived in Hyderabad, midwifed in Switzerland and killed aborted in Araku. (Thank you, JFK)

Folks, there’s absolutely no reason for this piece of bullshit Darling to ever see the light of the day, except that a bunch of retards  had more money than they knew what to do with and less competence than they should have had to make a watchable film.

That dung like Darling, supposedly a romantic film, gets made and then gets released in theaters worldwide amidst so much hype is testament to the complete abdication of all sense of taste, that is if the people living in the South Indian state of Andhra Pradesh ever possessed any.

From the early scene of two kids performing on stage to the final chase by the villains in a convoy of cars, this wannabe romance, directed by a half-wit called A.Karunakaran, screams nonsense.

The shallow amateurish story in its essence – that is, if you dare call this fig-leaf crap a story – is that of a just out of college young man Prabhas (Prabhas) pining for his childhood sweetheart Nandini (Kajal Agarwal).

Never mind that the duo were young children when they parted, the girl off to Switzerland but of course speaking Telugu with nary an accent. Guess, Telugu must be the national language of Switzerland.

The so-called twist in the story as narrated by our hero Prabhas to the local rowdy (Mukesh Rishi) adds nothing of value to the story. Zilch.

Just stupid meets bizarre.

Stupid Fights
As is par for the course in Telugu movies, there are fights galore in Darling.

All of it comically stupid, of course.

In one fight scene at the beginning of the film, Prabhas vanquishes a small army of evil-looking ruffians as he walks along a busy road with his mother and a lady relative without the duo even realizing he’s dispatching a bunch of knife-wielding thugs. Continue reading »

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We’ve watched a bunch of movies lately (three on TV and one in the theater).

Here’s a short list with brief comments:

* The Square (English) – My, my, how quickly and continuously things spiral out of control for its principal protagonist Ray (David Roberts) in this Australian film of infidelity and crime.

Decent all-round acting and a fast-paced story keeps you engrossed to the flashing images on the screen.

But can someone tell us why David Roberts is forever wearing a frown? Or is it the tension that’s wearing him down?

* Missing Person (English) – We watched this one on Netflix Instant play.

An alcoholic private investigator in Chicago John Rossow (Michael Shannon) gets a job, at first, to tail a man on a train to Los Angeles and, then, to bring him to his wife in New York City.

The ending of this film, written and directed by Noah Buschel, will surprise you.

That Michael Shannon is a class actor is clearly evident from this nice film.

* Bad Company (English) – Watch Anthony Hopkins and Chris Rock in this crazy, quirky thriller-comedy featuring spies and a street-smart hustler.

Or is it a comic thriller? Wateva.

Since we love both Anthony ‘Hannibal’ Hopkins and Chris Rock, it’s no surprise we found the film endearing.

By the way, no marks for guessing which one’s the hustler

You can catch this one too on Netflix Instant Play.

* Vettaikaran (Tamil) – Well, this South Indian monsterpiece featuring that bozo Vijay deserves a full-length review!

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In this installment of Music We’ve Acquired, we’ve gone down an old road, the memories of which are turning hazy as the neurons in our brain collapse in large blocks.

Here are some tracks we’ve acquired lately from iTunes:

* Hello, My Dear Wrong Number (Tamil) – This one is from the old Kamal Haasan film Manmatha Leelai. We’ve seen the film some centuries back but can barely remember it. K.J. Yesudas and L.R.Eswari are the singers. M.S.Vishwanathan gets the credit for the music.

* Ennada Polladha Valkai (Tamil) – One of our Tamil favorites, the song is from the Rajinikanth film Thappu Thalangal.

A dark, black and white film from the 1970s, Thappu Thalangal is a different kind of film (even to this day). In case you are curious, the singer is S.P.Balasubramaniam.

* Ottagatha Kattiko (Tamil) – A classic song from the 1993 film Gentleman.

* Kathalikkum Pennin (Tamil) – From the 1994 Prabhu Deva film Kadhalan. By the way, S.P.Balasubramaniam not only sang but also featured in this film.

* Le Gayi (Hindi) – Our second purchase from the Akshay Kumar, Madhuri film Dil To Pagal Hai,

* Roop Tera Mastana (Hindi) – More than four decades after Aradhana (Rajesh Khanna, Sharmila Tagore) took the collective imagination of India by storm, Roop Tera Mastana still exercises a magic undiminished by the passage of time or the  faded glory of the film’s lead star Rajesh Khanna.

Related Content
Music We’ve Acquired Lately 6
Music We’ve Acquired Lately 5
Music We’ve Acquired Lately 4

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Hey, does anybody even give a damn about Paathshaala?

Apparently not.

Yes, Paathshaala has turned into a dud at the box office, the U.K. box office that is.

As the below table attests, Paathshaala ranks way at the bottom of box office returns of a few prominent Bollywood films.

Related Stories:
Movie Critics Savage Paathshaala

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I am a Hindu because of sculptured cones of red kumkum powder and baskets of yellow turmeric nuggets, because of garlands of flowers and pieces of broken coconut, because of the clanging of bells to announce one’s arrival to God, because of the whine of the reedy nadaswaram and the beating of drums, because of the patter of bare feet against stone floors down dark corridors pierced by shafts of sunlight, because of the fragrance of incense, because of the flames of arati lamps circling in the darkness, because of bhajans being sweetly sung, because of elephants standing around to bless, because of the colorful murals telling colorful stories, because of the foreheads carrying, variously signified, the same word – faith.
- Yann Martel in Life of Pi, P.47

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(For SI blog reader Kurf)

It’s past midnight, here on the East Coast.

And here we are, the gin-soaked desis popping the DVD into our Panasonic player to watch the Martin Scorsese-directed film The King of Comedy.

Featuring Robert De Niro and Jerry Lewis, the movie debuted in the U.S. about 27 years back.

We don’t know how well The King of Comedy did at the box office but the movie made it to many of the critics’ list of top movies.

We’ll update this post after finishing the movie.

Update:

Folks, The King of Comedy is one helluva movie.

Here’s a great line – and pretty prescient too (more on that later) – from the movie that in a sense sums up the film:

Better to be King for a night than schmuck for a lifetime.

Robert De Niro plays Rupert Pupkin a desperate, ambitious aspiring standup comedian obsessed with getting on the Jerry Langford (Jerry Lewis) late-night TV show.

As with most humans, overweening ambition outstrips limited talent in the case of Rupert Pupkin too.

Refusing to take no for an answer, the 34-year-old Rupert, first alone and later with Langford stalker Masha, resorts to some extremely unorthodox techniques to try and get on the Langford show.

Robert De Niro is superb as the will-not-take-no-for-an-answer wannabe comic.

While this 27-year-old movie is an interesting take on the lengths some people will go to to get an entree into the entertainment arena, recent events in the U.S. such as the hoax involving the missing boy and the gatecrashing into the White House dinner for Indian Prime Minister Manmohan Singh a few months ago suggests if anything that Martin Scorsese and writer Paul Zimmerman were prescient and, maybe, ahead of their times.

Given the repeated fantasy elements shown in the earlier part of the movie, is the ending too merely an act of Rupert’s hyperactive, vivid imagination.

Hey, this is a movie and whichever way you look at it you can’t go wrong.

It’s all a fantastical act! Right?

In parting, we’d say you’d be a big schmuck not to watch The King of Comedy. The DVD can be rented from Netflix.

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