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After vexedly enduring our Bollywood and Kollywood jackasses acting like chimps in movie after movie for decade after decade, we decided to hit the theater today and see the real deal – the new Disney movie Chimpanzee.

A DocuDrama

Chimpanzee is one of those movies that’s hard to peg into a category.

It’s not a traditional nature documentary nor a typical drama.

So SI has slotted the film into a new category – DocuDrama, where Disney has blended emotional drama into a documentary to make the movie more appealing to a larger audience.

Does the move succeed?

Yes, but only to a degree.

Oscar – Chimp Hero

Set in the rain forests of Ivory Coast and Uganda in Africa, Chimpanzee follows the antics of a baby chimp named Oscar through his young and turbulent early life in the dense jungles of Africa.

Beautifully photographed by Martyn Colbeck, Chimpanzee is overall a pleasing affair.

Just remember not to expect the Oscar to perform an item number a la  Sheila ki Jawaani. ;)

Despite the environmental holocaust perpetrated on nature by greedy, grasping humans, Africa still retains some dense forests with a lush canopy allowing little light to hit the forest floor.

But the jungle is a hostile environment for all its inhabitants and the chimps have a hard time.

Besides the constant struggle of having to forage for food (stuff like nuts or smaller monkeys), chimpanzees, which live in gangs, also have to fend off invasions from rival chimp gangs and contend with dangerous predators like leopards.

The movie does a good job of showing chimpanzees in their natural habitat, the hunt for nuts, berries or monkeys, use of stones and other implements, team work, fights between rival gangs and the stunning visual beauty of the forest, particularly in the night.

Add to that the antics of young Oscar, vainly trying to break open nuts, jumping around or hitching a ride on his mother’s back.

Not much to complain about, right?

But the folks at Disney thought it’s not enough to get the big bucks at the box office.

So Disney injects a big dose of drama into the documentary. Continue reading »

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Hell hath no fury as a hooker screwed out of her nightly earnings! ;)

Three U.S. Secret Service agents have already lost their jobs and another three agents are said to be on their way out following the hookergate sexual tryst in Cartagena, Colombia.

Boy, the 24-year-old babe sure is a bomb.

Who can tell she’s the (single) mother of a young kid.

Me, I’m packing my bags to Colombia. ;)

Dania Londono SuarezDania Londono Suarez (24)
Pix: NY Post/Facebook

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Secret Service Escort Says US Agents ‘Showed No Respect’

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Frank Gonsalves’ lawyers are mad at Infosys.

So hopping mad that they’ve recently written to the judge requesting an immediate status conference in Gonsalves’ lawsuit against Infosys.

Frank Gonsalves – Bigger Threat for Infosys

While much attention has been focused on Infosys’ alleged violation of U.S. Visa rules, the bigger threat for the Indian software giant could come from former employee Frank Gonsalves’ suit charging it with age discrimination among other things.

Visa violations for which Infosys has been in the news lately (including a second story in the New York Times) is garden variety fraud and even if Infosys is proven guilty of playing fast and loose with U.S. immigration laws it’ll only get a slap on the wrist.

But if Infosys is found guilty of age-discrimination in demoting and firing Frank Gonsalves, it could open the floodgates for other terminated employees to go after the company.

Discrimination on the basis of age is illegal in the U.S. and corporations can pay a heavy price if found guilty of the practice.

One of India’s largest software services providers to American corporations, Infosys has several thousand employees working in the U.S.

Gonsalves’s claims against Infosys include:

(1) discrimination on the basis of age
(2) discrimination on the basis of religion
(3) retaliation
(4) failure to prevent discrimination
(5) wrongful termination in violation of public policy
(6) breach of contract
(7) retaliation in violation of the Sarbanes-Oxley Act.

Delay, Delay, Delay

Based upon our reading of the legal documents in the Frank Gonsalves vs Infosys case, it appears to us that Infosys is worried stiff and deploying a well-known legal strategy to thwart the suit – delay, delay, delay in hopes that the defendant will run out of patience or resources and go away.

A recent letter from Gonsalves lawyer dt April 13, 2012 reflects the plaintiff’s frustration over Infosys’ refusal to produce the agreed upon documents:

Defendant Infosys has not produced a single document identified through the agreed electronic search terms. None….Infosys is purposefully delaying the process to the prejudice of plaintiff.

Gonsalves attorneys have requested the court for an immediate status conference to discuss Infosys’ alleged non-compliance.

Infosys’ co-founder N.R.Narayana Murthy’s deposition in the case is scheduled for May 11, 2012.

Gonsalves vs Infosys – Case History

Gonsalves filed his suit against Infosys in the U.S. District Court for the Northern District of California in September 2009.

Before his demotion, Gonsalves was Unit Head in charge of the International Business Unit Automotive and Aerospace with 1,000 employees reporting to him. Following the demotion, he had less than 20 employees reporting to him, Gonsalves alleged in the complaint. Continue reading »

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When is a Prostitute not a Prostitute but an Escort?

[The Colombian gal] was dismayed, she said, that the news reports have described her as a prostitute as though she walked the streets picking up just anyone.

“It’s the same, but it’s different,” she said, indicating that she is much more selective about her clients and charges much more than a streetwalker. “It’s like when you buy a fine rum or a BlackBerry or an iPhone. They have a different price.”

Source: Escort Recounts Quarrel With Secret Service Agent, New York Times, April 18, 2012

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Escort Recounts Quarrel With Secret Service Agent

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Vibble TV will soon join the likes of Mela, BollyVerse, Databazaar, ChannelLive and Yupp that are targeting American desis with Bollywood movies and live Indian TV channels streamed online.

Vibble TV Coming Soon

A service offering of Columbia (MD) based media startup Internet Broadcasting Corp (IBC), Vibble TV is set to go live in May.

The plan is to offer the Indian content on multiple devices including smartphones, tablets, computers and TVs.

Besides the large Indian diaspora, Nepalis, Pakistanis, Bangladeshis and Sri Lankans are also avid watchers of Bollywood movies in the U.S.

Just the other day, we met a Bangladeshi waitress in a NYC bar who told us her favorite Bollywood hero was Hrithik Roshan.

Severe Competition

IBC promises that the Vibble TV subscription pricing will be at least 20% lower than existing providers.

Given that some players like Mela currently offer their Bollywood and regional language movie services at $4.99 a month, we wonder how Vibble can be commercially viable at $4 a month.

Bollywood content is not cheap and signing up Indian subscribers in the U.S. is a difficult exercise given the severe competition that includes not merely the Indian startups but Netflix as well.

Netflix is the 800-pound gorilla of the movie streaming market in the U.S. with tons of movies including some Hindi and Tamil films.

Plus there’s the scourge of pirated content that cheapo Indians love to download and watch for free.

Meanwhile, IBC, the brainchild of Indian entrepreneur Suresh Kadagala, has filed a statement with the SEC that it’s raising $2 million to fund its operations.

In the filing, IBC said it had already raised $500,000.

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Our first thought after watching the Hindi film 9 Eleven was that it’s a pity everyone and his brother is making movies these days.

Bozos with a few coins jingling in their pockets get an irresistible, uncontrollable itch that won’t abate until they see their name in the Produced by [Insert Bozo's Name Here] credits.

Surely, it’s high time for some kind of film rating system to warn viewers they’re about to watch an amateurish exercise.

It’s unlikely we’d have watched or even heard of 9 Eleven but for Sonny Chatrath.

Sonny’s New Jersey travel service business has been advertising on SearchIndia.com for about a decade and we’ve gotten to know the bloke well over the years.

And those who know Sonny know he’s an ebullient fella who likes to excitedly share what he’s up to.

For the last couple of years, Sonny has been badly bitten by the modeling and acting bugs. And on several occasions, he’s provided us an update on his movie forays.

So we were well aware since last year that filming of 9 Eleven was happening in the DC suburb of College Park (MD) and of Sonny’s role in the film.

9 Eleven – A Remake

Those familiar with Bollywood are aware that Indian film-makers’ enthusiasm for the movie business far outstrips their competence in the craft.

After watching several hundred Hindi films spanning several decades, we’re painfully conscious that the Indian movie business is a wreck resulting from big ambition colliding with small talent.

Given the paucity of talent, most Bollywood films are unendurable horror-shows, the scripts are often stolen outright from Hollywood films (Partner, Heyy Baby, Ek Ajanabee ….the list of stolen Indian movies is endless) and trash is the name of the game.

Unlike Chinese, Spanish, French, Japanese or  Korean films that have grown an audience beyond their borders, no one, virtually no one except Indians and the diaspora watches Indian films.

9 Eleven too is not an original exercise.

For the most part, the 9 Eleven script is based on the straight-to-DVD English film Nine Dead (available on Netflix Instant play).

A legal remake, proclaim the makers of 9 Eleven at the fag end of the credits.

Manan Singh Katohora directed the film that was produced by Narain Mathur.

You can see the full list of 9 Eleven’s cast and crew here.

Amateurish Exercise

Now unless you’re a Roman Polanski (don’t miss his brilliant Carnage), a Sidney Lumet (12 Angry Men) or an Alfred Hitchcock (Dial M for Murder) working with a strong cast and gripping script, you ought to stay away from making films where everything happens within the narrow, restricted confines of a single room.

We suspect nouveau Indian movie-makers who opt for scripts in a restrictive setting are hamstrung by finances and think it’s an easy, cheap way out to fulfill their dreams.

When you’re painting on a large canvas or filming in a larger setting, a lot of inadequacies can be camouflaged, at least to some extent.

People’s attentions are drawn to or can be diverted to so many elements unlike in a small setting where the script and acting are paramount, the be all and end all.

Little do these tyros realize they’ve doomed their enterprise from the get-go because the immense talent required to succeed in a small confine is just not within their grasp.

With revenge as the leitmotif, the basic premise of 9 Eleven has intriguing possibilities.

But the execution demands a strong script and powerful acting midwifed by a competent director who can ably lead the team.

All these rare but necessary qualities are lacking in 9 Eleven.

The acting is, for the most part, pedestrian.

One might be forgiven for wondering if the actors were randomly picked from a parking lot on the Indian strip on Oak Tree Road (NJ) or Silver Spring (MD) with the promise of a few free buffet lunches in Moghul or Woodlands.

Sure, some were less hopeless than the others.

But overall this bunch acted as if they’d drunk one Lassi too many.

We heard the actors went through rehearsals before the shooting commenced.

Clearly, the rehearsal time was not long enough.

On Tuesday, Sonny candidly told us the “acting is very weak across the board.”

If the acting never scaled great heights, the writing (by Manan Singh Katohora) was downright mediocre.

Again, no surprise when you’re doing a sentence-by-sentence translation from a below-par English film.

Except for some changes at the end, 9 Eleven is a verbatim remake of Nine Dead, just with a different cast and crew.

In both movies, a bunch of people are kidnapped separately, confined together in a small room and asked by their captor to find out why they were brought there.

They must find the answer quickly because the kidnapper promises to kill one of them every nine minutes should they fail to deduce  the reason.

And he soon proves his threat is no idle bluff.

The victims are a mixed bunch and include a pedophile, a gangster, a priest, a doctor, a prosecutor, a cop, an item dancer, a Chinese woman, a bartender, a student and a thief.

By the way, if you’re indianizing the English film, shouldn’t you at least change the ethnicity of the Chinese woman to, say, a Tamil or Oriyan.

Given the deadly predicament of the kidnapped victims, one would have expected the tension quotient in the room to be a lot higher. The tension quotient was a little higher in the English version.

With the script so effete and the acting so pedestrian, the interaction between this motley bunch was just not gripping enough to sustain our attention.

When we heard that director Manan Singh Katohora got an award at the Canada International Film Festival for this junk, we lost all respect for the jury.

Other Issues

Then, there’s the problem of the sound.

Something’s gone seriously wrong here because the pitch of the actors’ voices does not seem loud enough, particularly in the early part of the movie.

As if all of the above were not bad enough to sink this movie, viewers are also subjected to the torment of a pathetic item number featuring an aging, repulsive Bollywood hag (Kashmira Shah).

Atrocious and good-riddance was all we could say at the end of the item number.

Admittedly, the surprise element or the gradual arrival of the reason was lost for us because we’d watched Nine Dead on Netflix Instant before seeing 9 Eleven. But then we were not much impressed with the English version too.

Bottom line, the dubious quality of the parent (Nine Dead) is reflected in the off-spring 9 Eleven, albeit in a magnified state.

Avoid 9 Eleven

Your favorite blog SearchIndia.com does not recommend 9 Eleven.

When there are so many fine films (Korean, Chinese, English, Japanese etc) out there on Netflix and Amazon Prime, it’d be a sin to squander time on fluff like 9 Eleven.

But should you be in a masochistic mood, you can stream 9 Eleven from Databazaar Media to your TV (via Roku) or PC.

As for Sonny Chatrath, our unrequited advice to him – Don’t leave your day-job at the travel agency. ;)

Related Content:
9 Eleven – Cast and Crew

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Uh oh, not one more.

The Bollywood streaming business is looking increasingly crowded lately in the U.S.

Besides the 800-pound Goliath Netflix (peddles Bollywood, Hollywood and other content), there’s BollyVerse, Databazaar, YuppTV, ChannelLive, Mela and a bunch of regional language offerings for desis in Amreeka.

As if all that weren’t enough, now comes a new Hindi movie streaming service called Spuul with a combination of free and paid rentals and a worldwide footprint.

Spuul rolled out its service Tuesday.

Spuul Launches Bollywood Movie Streaming Service

Spuul’s paid rentals come in two flavors – a $4.99 per month subscription and a 99-cent pay-per-movie offering.

Spuul also relies on ads to support its service.

To watch the free movies on Spuul, users must log in via their Facebook account. Here’s the catch – you must allow Spuul to post on your behalf, including status updates, photos and more; Access your custom friend lists; and Access your profile data.

Well, we guess there’s no Free lunch in life and Free extracts its price one way or the other.

But what’s worse is that even the premium paid options require users to log in via Facebook.

That is nonsense.

Spuul must allow users who wish to join their paid premium service to sign up without the Facebook hassle.

That’s what Netflix, Mela and many others do. And that’s the right way for paid premium services.

How Does Spuul Work

Spuul is supposed to work on both PC/laptop and TV (via Apple AirPort or Roku).

We couldn’t get it to work on TV via the Roku set-top box because we didn’t even see Spuul in our Roku channel list. Perhaps, it’s still in the works.

Au contraire, other Indian movie/TV channels like Mela, BollyVerse, Databazaar, ChannelLive, Yupp etc are already available on Roku.

On the PC, we got an error message when trying to watch Khalnayaak, a ‘free’ movie (we’d set our Facebook setting to let Spuul access only our profile data).

Here’s the error message we got on the PC while trying to access a Spuul “Free” movie:

Error 400 Bad Request

Bad Request
Guru Meditation:

XID: 1107080120

Varnish cache server

Will Spuul Succeed?

We remain skeptical that Spuul can make much headway on the paid subscription side, at least in the U.S.

A lot of Indians are notorious thieves, preferring to illegally download movies or rent pirated DVDs of new releases from their neighborhood desi grocery stores in the U.S.

Content piracy is very high in India and we have no reason to believe Indians in the U.S. are any different from their brothers, sisters and friends in the homeland.

Plus, Spuul suffers from a big drawback.

It offers only Hindi movies while rival services like Mela offer Tamil, Telugu and other regional language films for $4.99 per month. But Mela doesn’t offer a free option.

Netflix offers a $7.99 per month streaming service with tons of content (no commercials) but only a limited number of Bollywood movies.

Spuul – Future Plans

Spuul plans to launch an app on Apple’s AppStore to let users view movie on their iPad tablets and iPhones.

The app will let users start watching on one device (for instance, a TV), pause and resume on another (iPhone or iPad).

S.Mohan (founder of Palo Alto-based Accellion and other technology companies) and media entrepreneur Sudesh Iyer are the founders of Spuul.

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We were more disappointed with The Descendants than with the straight-to-DVD film Columbus Circle.

Given the multiple Oscar nominations and oversaturated hype surrounding The Descendants we expected to be blown away by this George Clooney starrer.

Having watched the film today, now we can say with confidence that the Academy of Motion Picture Arts and Sciences did the right thing in snubbing The Descendants for the three big prizes (Best Picture, Best Director and Best Actor) and awarding them instead to the French silent production, The Artist.

An abiding affection for George Clooney or the endless priapic ecstasy over Shailene Woodley’s bikini clad figure notwithstanding, we decided to award no more than an ‘Above Average’ grade to The Descendants.

As is by now common knowledge, the movie is set in Hawaii with Clooney playing a middle-aged father/lawyer/husband coping with a dreadful family tragedy, a boat accident that has left his wife in a coma.

As if that weren’t bad enough, there’s a startling disclosure of infidelity, the responsibility of taking care of two mealy-mouthed, rebellious young daughters and the pressure of making a big decision on the sale of a huge tract of prime land.

How does a man cope under such terrible circumstances?

If you want to know, that’s the raison d’etre of the movie.

By no means is the movie an unwatchable affair, it’s just that the hiatus between heightened expectations and the reality seemed too large for us to ignore.

Our principal grouse against the film is that not for a moment did we get a sense of three main characters (father and the two daughters) being under the strain of having a close family member seriously sick and near death.

Instead, the sick person Elizabeth is pushed into the background and the curtains drawn over her hospital bed to let the movie focus on other subjects – infidelity, uncouth children, a tactless boy friend, sale of the land etc.

Just didn’t make sense to us.

Maybe, the American mind tackles family tragedy differently from the Asian model.

Since it’s George Clooney, it’s impossible we’ll ever see a rotten performance from the actor. Banish the thought if you’re nurturing it.

George Clooney on a bad day is a million times better than any Bollywood actor on his best day!

But still we did feel shortchanged a bit by Clooney in a few scenes. Like, for instance when the doctor breaks the news to him on his wife’s prognosis. One would expect to see more than a deadpan expression (even if it’s only for a few seconds).

As the older daughter Alexandra, Shailene Woodley turns in a fine performance.

We bet, like us, you too will be surprised to learn that The Descendants is her first feature film. Bravo Shailene!

Alexander Payne directed The Descendants on a screenplay he co-wrote with Nat Faxon and Jim Rash.

The movie is based on Kaui Hart Hemmings’s debut novel of the same name.

You can rent The Descendants DVD at Netflix or RedBox.

Columbus Circle – Predictable Unthriller

In no time we had hazarded a guess as to what was gonna happen!

And, boy, did it happen exactly the way we thought it would.

Now we know why this movie went directly to DVD without the fig leaf of even a single week at the theatres.

A wealthy young woman is leading a reclusive life in a penthouse apartment at Columbus Circle, New York City.

She hasn’t stepped out of her apartment in a long time.

The concierge has worked there for eons and even he hasn’t seen her in all these years.

Not once.

The death of an elderly neighbor sets in motion a series of events that ultimately is to have serious consequences for the recluse.

When new neighbors move into the penthouse apartment, the recluse’s life, just like her pretty large porcelain vase, is shattered.

But by this time we knew where the movie was heading and so the thrill was lost to us.

What ruins the film is, above all, the mediocre writing that robs the film of any suspense save to the completely daft.

George Gallo directed Columbus Circle and also co-wrote the film with Kevin Pollak.

Selma Blair plays the wealthy recluse.

We have mixed feeling about the twist in the ending. It certainly could have been handled a lot less clumsily.

And what’s with the NYPD cops just staring at her in the end?

Don’t tell us they’re that stooopid.

The Columbus Circle DVD too is available at Netflix and RedBox.

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Of the seven new IBM Fellows named today, two are desis.

The two new IBM Fellows of Indian origin are Ruchir Puri of IBM Research at Yorktown Heights, NY and Balaram Sinharoy of the Systems and Technology Group in Poughkeepsie, N.Y.

Who are IBM Fellows?

IBM Fellow is the computer company’s highest technical award to its employees.

IBM has credited its Fellows with developing critical technologies such as the RISC processor, relational databases, virtual memory and Fortran.

Only 238 individuals have earned this prestigious distinction in the company’s history.

Including the newly named Fellows, 77 are active employees.

The 2012 IBM Fellows have 131 years of combined IBM experience and collectively been issued 273 patents.

The other IBM Fellows for 2012 are Luba Cherbakov (IBM Enterprise Transformation – Bethesda, Md), Paul Coteus (IBM Research – Yorktown Heights, N.Y.), Ronald Fagin (IBM Research – San Jose, Calif.), Vincent Hsu (IBM Systems and Technology Group – Tucson, Ariz) and Jeffrey Jonas (IBM Software Group – Las Vegas, Nev).

Ruchir and Balaram – Bios

Ruchir is an alumnus of IIT Kanpur and University of Calgary while Balaram got his Ph.D from Rensselaer Polytechnic Institute.

Here are the bios of Ruchir and Balaram:

Ruchir Puri

Dr. Ruchir Puri has led the fundamental transformation of microprocessor design in IBM’s high-performance enterprise systems. Throughout his career, he has shown a passion for pushing the boundaries of design automation to reduce dependence on labor-intensive manual design. The resulting increase in design efficiency has strengthened IBM’s competitive position in the marketplace. Dr. Puri led this new design approach and directed combined global teams from IBM Research and Systems and Technology Group to execute the transformation.

Balaram Sinharoy

Dr. Balaram Sinharoy is well-known as one of the world’s top processor architects. Among the technologies he has pioneered are Simultaneous Multi-Threading and power-efficient, high-performance, multi-core server design. Dr. Sinharoy is currently chief architect of IBM’s next generation POWER technology, responsible for micro-architecture and differentiation features. Before that, he was chief architect of IBM’s POWER7 processor and was responsible for defining the POWER7 micro-architecture that delivers IBM significant leadership in the marketplace.

Other Indian IBM Fellows

We’d hypothesize that Indian-Americans are well represented among the ranks of IBM Fellows.

The last time an Indian was named IBM Fellow was in 2010 when Subramanian Iyer and Anant Jhingran won the honor.

Related Posts:
Two Desis (Iyer & Jhingran) Become IBM Fellows

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The over-the-top Bollywood comedy Housefull 2 (Akshay Kumar, John Abraham et al) has met with an enthusiastic reception at the U.S. box office in its opening weekend (April 6-8, 2012).

housefull 2 box office report

Related Stories:
Housefull 2 – Entertaining Piffle

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