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By God, it’s high time we had a law prohibiting Indians from making movies.

We just returned from the opening show of Desi Boyz at a theater on the East Coast and, ah, ah, ah, we’re still reeling in painful shock.

Folks, Desi Boyz (Akshay Kumar, John Abraham, Deepika Padukone, Chitrangda Singh) is nothing short of a horror show.

Even after filching the basic plot-line from the Hollywood hit The Full Monty, debutant film-maker Rohit Dhawan, the uncreative force behind Desi Boyz, has shown himself utterly incapable of churning out a watchable movie.

Au contraire, The Full Monty is a charming comedy with an amusing story, fine performances by the cast and four Oscar nominations (one win) to its credit.

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Horrid Screenplay

Swathed in a horrible screenplay, swaddled in mediocre music and swabbed of all finesse, Desi Boyz is a very unfunny movie that left us in a vortex of misery with no exit.

In a reckless act of high chutzpah, Rohit Dhawan (son of David Dhawan, the Joseph Mengele of Bollywood) takes (dis)credit for the story, screenplay and direction.

Like The Full Monty, the underlying story of Desi Boyz too is of unemployed desperate young men in hard economic times taking to stripping for women to make money and to help one of the guys retain visitation rights to a young boy (son in Full Monty and nephew in Desi Boyz).

The similarities stop there because the inept director and clueless writer Rohit Dhawan mangles the Full Monty story into a disgusting, crude, unfunny abomination that had us gasping frequently for air.

The six guys from Sheffield in The Full Monty become two young friends Jerry Patel (Akshay Kumar) and Nick Mathur (John Abraham) in recession-hit circa 2009 London in Desi Boyz.

Deepika Padukone plays the main female lead, in an extension of the role essayed by the wife of Tom Wilkinson’s character Gerald in Full Monty. Continue reading »

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The Chutiya deserves it.

By God, Akshay Kumar deserves Thank You’s humiliating failure at the U.S. box office for the garbage he’s shoveling at Bollywood fans for the last few years.

Folks, Akshay Kumar’s latest trashy movie Thank You is not a failure of ordinary proportions.

Au contraire, Thank You is helluva disaster.

A tsunami of a disaster.

For the opening April 8-10, 2011 weekend in the U.S., Thank You grossed a pitiful $247,760 in what looks like Akshay Kumar’s worst showing here in recent years.

The movie came in 26th and had an average gross of $2,693.

Here’s how Thank You fared at the U.S. box office compared to a few prominent Bollywood films (please see below table): Continue reading »

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Never let it be said that Bollywood star Akshay Kumar does not stoop to a new low with each new film.

If the new Bollywood film Thank You, its director Anees Bazmee and lead star Akshay Kumar prove anything at all, it’s that Indian films are, for the most part, made by retards for returds.

Folks, there’s not one redeemable element in the 2-hours and 20-minutes of this crap-show. Not one!

What is intended as a comedy about marital infidelities and constant philandering of three men turns out to be nothing but one of those epic  horror-shows that the Bollywood clowns churn out with monotonous frequency.

If you thought Akshay Kumar’s last two movies Patiala House and Tees Maar Khan were bad, well, they’re masterpieces compared to this drivel a.k.a. Thank You.

Insufferable Trash
The acting is intolerable, the story and screenplay insufferable, the music unendurable and the overall damage to our tender souls inestimable.

How such garbage manages to hit the screens worldwide is a mystery known but to UTV (producer and distributor), Akshay Kumar and Anees Bazmee. Continue reading »

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Thank You Review – Sickeningly Bad

Bollywood Trash King Akshay Kumar’s  new movie Thank You has yet to hit the screens but the movie is already the object of withering scorn from critics.

Critics Lash Out at Thank You
Folks, the early reviews for Akshay’s Thank You, which opens tomorrow, are out and if we were Akshay Kumar tonight we’d make a widow out of Twinkle by daybreak.

But Shame is not a word found in Akshay Kumar’s lexicon, if you go by the garbage he shovels on Bollywood fans with monotonous regularity.

Here are excerpts from some of the early reviews of Thank You:

* NDTV:

I underestimated Bazmee’s capacity for creating witless, soul-sucking cinema…..my brains were battered to pulp and my eardrums are still recovering from Pritam’s cacophonous sound-track. I’m going with one and a half star.

* Rediff:

Despite [Akshay] Kumar’s joker-in-a-box automaton attempts, Anees Bazmee’s latest film Thank You goes nowhere, and takes forever to, um, not get there.

Frequently the film, like leading man Kumar, doesn’t even bother with the attempt of being funny.

* Times of India:

Anees Bazmee is back with another comedy on the theme of adultery, perhaps with commercial considerations of reviving the success of No Entry . Sadly his Shaadi No.1- meets- Biwi No.1 narrative is adulterated with so many tacky references that you end up saying thank you but no thank you….And just Continue reading »

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Never let it be said that Bollywood star Akshay Kumar misses any opportunity to stoop to new lows with each new movie.

With an unerring instinct for the asinine, Akshay’s new movie Patiala House is so bizarrely stupid that you wonder throughout the 2 hour 20-minute ordeal if this trash was made by humans at all.

With Patiala House, a Bollywood completely bereft of ideas is resorting to a khichdi of mixing the national obsession cricket with the Sikh community (after all, wasn’t Singh is Kinng a big hit?) and a Whites-hating London-based NRI (think DDLJ), all the while praying the gullible audience will fall for the sleight of hand.

And who better to lead the sophomoric effort than Akshay Kumar whose claim to fame is asking fans to first shut off their brains and then watch his movies.

Besides playing the hero, Akshay’s production house Hari Om Pictures has co-produced this wannabe film.

Hopelessly Juvenile Story
The story, if you dare call this amateur effort that, is of a London-based family patriarch Bauji (Rishi Kapoor), the unofficial Sarpanch of Southall, ruling a large joint family with an iron hand, stomping on their dreams and passions and insisting they obey all his diktats.

So in the extended family, a wannabe rapper is reduced to singing Sikh hymns, an aspiring chef is forced to make Jalebis while a top-class young cricketer Gattu is compelled to abandon his dreams of playing for England and instead asked to mind a convenience store because Bauji is filled with hatred for the British owing to some racist taunts and a tragic incident in the past.

Hello, is this the 21st century or what?

Time passes and the 34-year-old Gattu (Akshay Kumar looking 45-years-old) manages the small convenience store.

Cricket – The New Solitaire?
In a ham-handed way, we’re shown that the passage of time has not dampened Gattu’s passion for cricket.

The way the movie’s makers do this is by dumbing down cricket (a team game) into Solitaire. Every night after closing the store, Gattu goes to the ground, switches on the flood lights and plays cricket alone. Continue reading »

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If Akshay ‘Trash King’ Kumar had any shame at all, he’d wear a burkha and hide in some Zenana for the rest of his life.

But Trash King, who’s made a career of consistently delivering trash and acting in stolen shit in his unseemly love of lucre, refuses to do and subjects himself to more shame and more ridicule than all of Bollywood combined with every new release of his.

Take for instance, the second weekend U.S. box office performance of Akshay’s latest release, the horribly bad Tees Maar Khan.

The pitiful apology of a movie continues to fare miserably at the U.S. box office.

Here’s how badly Tees Maar Khan fared at the U.S. box office in its second weekend compared to a few prominent Bollywood films:

By the way, the total U.S. gross for Tees Maar Khan from December 22, 2010 through January 2, 2011 is $1.03 million.

Related Stories:
Tees Maar Khan Box Office – Royally Screwed
Tees Maar Khan Review – Insufferable Trash
After the Fox Review – So Bad it’s Good for the Bollywood Thieves
Tees Maar Khan Hammered by Movie Critics

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