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By Naveen

On the unenviable lines of his past monsterpieces Tirupachi, Madurey, Villu, Sura and Vettaikkaran, Vijay has taken Tamil Cinema eight steps backward this Diwali with Velayudham.

Oh, if you are one of those elitists turning your nose up at Vijay’s films, then let’s see your Brando, Al Pacino or De Niro even try what Vijay does effort-lessly! ;)

Produced by “Aascar” Ravichandran and ejaculated directed by M Raja, Velayudham stars “Ilaya Thalapathi” Vijay, Genelia D’Souza, Hansika Motwani, Santhanam matrum palar (and others) in a casting coup that would put Asscar Oscar winners to shame.

Diving into the Telugu Cesspool

As if there were no more sophomoric drivel left in Tamil Cinema and all combinations of puerile junk had been exhausted, M. Raja dives into the cesspool of Telugu cinema by shamelessly stealing (or borrowing, if he has bought the rights) this fiendish plot from Azad, a 11-year-old movie starring Nagarjuna and Shilpa Shetty.

Of course, where else would he find the most uncreative scripts or unoriginal ideas in India but Tollywood!

Story & Screenplay

With minor changes from Azad, the storyline of Velayudham goes like this…

In a plot that resembles Vijayakanth’s movies, Tamil Nadu’s Home Minister is in cahoots with Jihadi Terrorists who wish to destabilize India by bombing Chennai. Yeah right! Even terrorists are bored of bombing the same old Mumbai or Delhi.

Bharati (Genelia), a journalist and her two male colleagues launch a crusade against the evils plaguing society.

A sting operation goes awry, both her colleagues are killed and Bharati too has a close shave with death.

The stupid thugs who killed them blow themselves up accidentally but not before giving a vaakumoolam (confession) to Bharati that they were involved in the previous bombing and another one is coming next week.

Bharati has a brainwave, conjures up a fictitious character called Velayudham, writes a note signed by Velayudham warning all criminals that he was responsible for killing the thugs and he would stop the next terror plot.

Meanwhile, a village milkman, Velayudham (Vijay in a never before seen role), his sister Kaveri (Saranya Mohan) and a bunch of cronies come to Chennai to collect the money he had invested in a chit fund company.

Velayudham ends up accidentally and unknowingly saving the public from the terror attacks while still staying unknown to the public. As usual, the stupid Tamil people start believing the existence of Velayudham just as they believed in the Indian Thatha, Kandasamy and Anniyan.

Once this news reaches Bharati, she solicits the real Velayudham to continue to play the fictitious one but he declines.

However when the chit fund company turns out to be a fraud and he loses all his money Velayudham, the milkman has a change of heart and Velayudham, the crusader is born.

The rest of the story is about how he foils all the terror plots and saves the people of Tamil Nadu. Continue reading »

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Force, the Bollywood remake of Tamil film Kaakha Kaakha, has received poor reviews from a gaggle of critics.

Are we surprised?

Of course, not.

Because, Force’s hero John Abraham can’t act.

And its heroine Genelia D’Souza can’t even spell the word acting.

Here’s what a bunch of reviewers had to say on Force:

Rediff:

For a genre that works purely on moronic logic and one-note screenplay, Force never had much to accomplish in the first place. But its complete lack of individuality or snap makes it a boring, banal, blah and bleak experience.

India Today:

A perfectly good action film, shot interestingly, ruined by John Abraham’s casting. If muscles could speak, he’d be a great actor. But he’s not, whether he’s going after drug goons or flirting with a vivacious Genelia D’Souza. The result: the villain played by vidyut jamwal ends up looking heroic. This one has no force.

Reuters:

If only John Abraham’s muscles could act, “Force” would have been a good film. As it stands though, this is at best an average cop thriller. Watch at your own peril.

Related Stories:
Suriya+Jyothika = Not Bad; John Abraham+Genelia = Bad

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Watch Suriya and Jyothika in the Uyirin Uyire song from the Tamil film Kaakha Kaakha (2003).

Sure, the song/picturization is no masterpiece but there’s some life in the song and the scene.

Now, watch the two Bollywood stars John Abraham and Genelia make monkeys of themselves (below) in the ‘same’ song Khwabon Khwabon in Force (the Bollywood remake of Kaakha Kaakha), which is releasing on Friday.

John Abraham and Genelia look like clowns, escapees from a circus.

Hey, is there a Reservation quota for Christians and Parsis in Bollywood?

Suriya and Jyothika are way better actors and dancers than the John Abraham and Genelia combo, at least as far as the above songs are concerned.

Compared to Jyothika, we must say that Genelia in the Hindi remake has ZERO sex appeal!

No question, the choreographer of Force must be hung, drawn and quartered! ;)

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