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Indian movie critics have torn apart Telugu loudmouth Ram Gopal Varma’s latest film Department.

Hello, is any one surprised?

RGV has been making trash for so long that he’s now achieved the hitherto thought impossible – he makes tawdry Tollywood look respectful in contrast!

Here take a look at the odium heaped on Department:

Upper Stall

The film, to put it simply, is easily the most deplorable film seen in a long, long time and in a country where we largely make hell of a lot of mediocre films every year, that is one hell of an achievement.

Rediff:

Varma’s latest, Department, takes the director’s increasingly schizoid cinematographic tendencies into a whole other league, and gives us, besides watery eyes and potential nausea, the filmmaker at his most insipid.

NDTV:

The camera angles are often much too casual to be considered ‘cinematic’….There are no punctuations except exclamation marks, no speed-breakers except songs, which are terribly screechy and grating with Nathalia Kaur’s item number hitting rock-bottom, and no way out for these restless law-enforcers than to take the law in their own hands.

Reuters:

In my head, I always imagine Ram Gopal Varma, sitting in his office, legs up on the table, going through a checklist on the last day of a film shoot. Hyperactive camera angle – check. Lots of fake blood – check. Added some element of “Satya”, “Company” or “Sarkar” to the film – check. Leading ladies showing off cleavage – check.

How else do you explain a film like “Department”? That someone (Varma) thought they could make a film with such tacky production values, a convoluted and weak script, and some scenes that could be straight out of a soft-porn flick, and still convince a major studio to fund it and market it as a A-grade movie, is baffling.

Bollywood Hungama:

…it’s the erratic and inconsistent writing that bogs down DEPARTMENT

Times of India

…jarring camerawork, flimsy acting and over-the-top violence.

DNA:

…extreme pain and abuse-inducing film

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The Ajay Devgn-Anil Kapoor piece of trash Tezz is a disaster at the U.S. box office.

As you can see in the below table, the Tezz junk is one of the worst Bollywood performers at the U.S. box office in recent years.

For the April 27-29, 2012 opening weekend Tezz grossed a pitifully low $148,133 from 97 screens giving it an average per screen of $1,527. Hell, Vicky Donor did much better on far fewer screens.

Here’s how badly Tezz fared at the U.S. box office compared to a few prominent Bollywood Films:

tezz box office report

Related Stories:
Tezz Review – Usual Boring Indian Garbage

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When Indian filmmakers like Priyadarshan are not pissing out mindless comedies, they’re pimping out nonsensical ‘action’ outrages like Tezz that are loosely based on decades-old foreign films (the 1975 Japanese film Bullet Train, in this instance).

Tezz made us want to yelp in agony – Do one thing for me, Sredni Vashtar.

Bet you schmucks have no idea what we’re talking about (one clue – Saki).

Flimsy, Crappy Story

The flimsy, ridiculous thread on which Tezz hangs is that if an illegal Indian immigrant Aakash (Ajay Devgn) is arrested and deported from the U.K. for working without a permit, he’ll return four years later angry as hell and not only wreak mayhem but also threaten to blow up 500 people aboard a fast-moving London-Glasgow train unless you quickly grease his palm with 10-million Euros (and only in used currency, mind you).

Among the countless police officers in UK only our Hindi speaking Indian detective Arjun Khanna (Anil Kapoor) working for the UK Counter-Terrorist Command in London can thwart Aakash, prevent the carnage, save the day and make senior British policemen look like a bunch of dodos.

Yes, the Rail Traffic Controller in the UK Rail is an Indian Sanjay Raina (Boman Irani).

Of course, the UK Counter-Terrorism Command Detective’s second in command Vikas is also an Indian.

Need you even ask? Yes, the UK Narcotics Department Detective escorting a prisoner on the train is an Indian Shiv Menon (played by the obese South Indian buffoon Mohanlal).

For sure, the UK Rail Traffic Controller’s second in command Radhika is an Indian girl.

Damn, at this rate in the next Bollywood film the British Queen will be a 85-year-old Indian woman Enema Randima Patel and the Crown Prince will be 59-year-old Charles Bewakoof Patel!

Continue reading »

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Unknown Indian film director Ashim Ahluwalia’s new movie Miss Lovely has won the distinction of being picked to compete in the Un Certain Regard section of the 2012 Cannes Film Festival.

Un Certain Regard is a less prestigious part of the Cannes Film Festival and films selected in this category are not included in the main Competition section and therefore ineligible to win the highest Palm d’Or award.

Still, it’s an honor for an Indian filmmaker to be included as part of the official Cannes Festival.

Since most Indian movies are trash, made by philistines and thieves for yahoos and perverts, we almost never see our movies at the Cannes festival.

Au contraire, Japanese, Chinese and even Korean films are now regular fixtures at Cannes.

Miss Lovely

Miss Lovely, Ahluwalia’s second feature film, has been described as a shadowy tale set in the dark underbelly of Bollywood.

Ashim Ahluwalia's  movie Miss Lovely

The film focuses on two Bollywood producers of sleazy horror films.

Miss Lovely features Nawazuddin Siddiqui, Niharika Singh and Anil George.

Related Content
Ashim Ahluwalia’s Wiki Profile
Cannes 2012 Official Selction

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Vibble TV will soon join the likes of Mela, BollyVerse, Databazaar, ChannelLive and Yupp that are targeting American desis with Bollywood movies and live Indian TV channels streamed online.

Vibble TV Coming Soon

A service offering of Columbia (MD) based media startup Internet Broadcasting Corp (IBC), Vibble TV is set to go live in May.

The plan is to offer the Indian content on multiple devices including smartphones, tablets, computers and TVs.

Besides the large Indian diaspora, Nepalis, Pakistanis, Bangladeshis and Sri Lankans are also avid watchers of Bollywood movies in the U.S.

Just the other day, we met a Bangladeshi waitress in a NYC bar who told us her favorite Bollywood hero was Hrithik Roshan.

Severe Competition

IBC promises that the Vibble TV subscription pricing will be at least 20% lower than existing providers.

Given that some players like Mela currently offer their Bollywood and regional language movie services at $4.99 a month, we wonder how Vibble can be commercially viable at $4 a month.

Bollywood content is not cheap and signing up Indian subscribers in the U.S. is a difficult exercise given the severe competition that includes not merely the Indian startups but Netflix as well.

Netflix is the 800-pound gorilla of the movie streaming market in the U.S. with tons of movies including some Hindi and Tamil films.

Plus there’s the scourge of pirated content that cheapo Indians love to download and watch for free.

Meanwhile, IBC, the brainchild of Indian entrepreneur Suresh Kadagala, has filed a statement with the SEC that it’s raising $2 million to fund its operations.

In the filing, IBC said it had already raised $500,000.

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Our first thought after watching the Hindi film 9 Eleven was that it’s a pity everyone and his brother is making movies these days.

Bozos with a few coins jingling in their pockets get an irresistible, uncontrollable itch that won’t abate until they see their name in the Produced by [Insert Bozo's Name Here] credits.

Surely, it’s high time for some kind of film rating system to warn viewers they’re about to watch an amateurish exercise.

It’s unlikely we’d have watched or even heard of 9 Eleven but for Sonny Chatrath.

Sonny’s New Jersey travel service business has been advertising on SearchIndia.com for about a decade and we’ve gotten to know the bloke well over the years.

And those who know Sonny know he’s an ebullient fella who likes to excitedly share what he’s up to.

For the last couple of years, Sonny has been badly bitten by the modeling and acting bugs. And on several occasions, he’s provided us an update on his movie forays.

So we were well aware since last year that filming of 9 Eleven was happening in the DC suburb of College Park (MD) and of Sonny’s role in the film.

9 Eleven – A Remake

Those familiar with Bollywood are aware that Indian film-makers’ enthusiasm for the movie business far outstrips their competence in the craft.

After watching several hundred Hindi films spanning several decades, we’re painfully conscious that the Indian movie business is a wreck resulting from big ambition colliding with small talent.

Given the paucity of talent, most Bollywood films are unendurable horror-shows, the scripts are often stolen outright from Hollywood films (Partner, Heyy Baby, Ek Ajanabee ….the list of stolen Indian movies is endless) and trash is the name of the game.

Unlike Chinese, Spanish, French, Japanese or  Korean films that have grown an audience beyond their borders, no one, virtually no one except Indians and the diaspora watches Indian films.

9 Eleven too is not an original exercise.

For the most part, the 9 Eleven script is based on the straight-to-DVD English film Nine Dead (available on Netflix Instant play).

A legal remake, proclaim the makers of 9 Eleven at the fag end of the credits.

Manan Singh Katohora directed the film that was produced by Narain Mathur.

You can see the full list of 9 Eleven’s cast and crew here.

Amateurish Exercise

Now unless you’re a Roman Polanski (don’t miss his brilliant Carnage), a Sidney Lumet (12 Angry Men) or an Alfred Hitchcock (Dial M for Murder) working with a strong cast and gripping script, you ought to stay away from making films where everything happens within the narrow, restricted confines of a single room.

We suspect nouveau Indian movie-makers who opt for scripts in a restrictive setting are hamstrung by finances and think it’s an easy, cheap way out to fulfill their dreams.

When you’re painting on a large canvas or filming in a larger setting, a lot of inadequacies can be camouflaged, at least to some extent.

People’s attentions are drawn to or can be diverted to so many elements unlike in a small setting where the script and acting are paramount, the be all and end all.

Little do these tyros realize they’ve doomed their enterprise from the get-go because the immense talent required to succeed in a small confine is just not within their grasp.

With revenge as the leitmotif, the basic premise of 9 Eleven has intriguing possibilities.

But the execution demands a strong script and powerful acting midwifed by a competent director who can ably lead the team.

All these rare but necessary qualities are lacking in 9 Eleven.

The acting is, for the most part, pedestrian.

One might be forgiven for wondering if the actors were randomly picked from a parking lot on the Indian strip on Oak Tree Road (NJ) or Silver Spring (MD) with the promise of a few free buffet lunches in Moghul or Woodlands.

Sure, some were less hopeless than the others.

But overall this bunch acted as if they’d drunk one Lassi too many.

We heard the actors went through rehearsals before the shooting commenced.

Clearly, the rehearsal time was not long enough.

On Tuesday, Sonny candidly told us the “acting is very weak across the board.”

If the acting never scaled great heights, the writing (by Manan Singh Katohora) was downright mediocre.

Again, no surprise when you’re doing a sentence-by-sentence translation from a below-par English film.

Except for some changes at the end, 9 Eleven is a verbatim remake of Nine Dead, just with a different cast and crew.

In both movies, a bunch of people are kidnapped separately, confined together in a small room and asked by their captor to find out why they were brought there.

They must find the answer quickly because the kidnapper promises to kill one of them every nine minutes should they fail to deduce  the reason.

And he soon proves his threat is no idle bluff.

The victims are a mixed bunch and include a pedophile, a gangster, a priest, a doctor, a prosecutor, a cop, an item dancer, a Chinese woman, a bartender, a student and a thief.

By the way, if you’re indianizing the English film, shouldn’t you at least change the ethnicity of the Chinese woman to, say, a Tamil or Oriyan.

Given the deadly predicament of the kidnapped victims, one would have expected the tension quotient in the room to be a lot higher. The tension quotient was a little higher in the English version.

With the script so effete and the acting so pedestrian, the interaction between this motley bunch was just not gripping enough to sustain our attention.

When we heard that director Manan Singh Katohora got an award at the Canada International Film Festival for this junk, we lost all respect for the jury.

Other Issues

Then, there’s the problem of the sound.

Something’s gone seriously wrong here because the pitch of the actors’ voices does not seem loud enough, particularly in the early part of the movie.

As if all of the above were not bad enough to sink this movie, viewers are also subjected to the torment of a pathetic item number featuring an aging, repulsive Bollywood hag (Kashmira Shah).

Atrocious and good-riddance was all we could say at the end of the item number.

Admittedly, the surprise element or the gradual arrival of the reason was lost for us because we’d watched Nine Dead on Netflix Instant before seeing 9 Eleven. But then we were not much impressed with the English version too.

Bottom line, the dubious quality of the parent (Nine Dead) is reflected in the off-spring 9 Eleven, albeit in a magnified state.

Avoid 9 Eleven

Your favorite blog SearchIndia.com does not recommend 9 Eleven.

When there are so many fine films (Korean, Chinese, English, Japanese etc) out there on Netflix and Amazon Prime, it’d be a sin to squander time on fluff like 9 Eleven.

But should you be in a masochistic mood, you can stream 9 Eleven from Databazaar Media to your TV (via Roku) or PC.

As for Sonny Chatrath, our unrequited advice to him – Don’t leave your day-job at the travel agency. ;)

Related Content:
9 Eleven – Cast and Crew

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Uh oh, not one more.

The Bollywood streaming business is looking increasingly crowded lately in the U.S.

Besides the 800-pound Goliath Netflix (peddles Bollywood, Hollywood and other content), there’s BollyVerse, Databazaar, YuppTV, ChannelLive, Mela and a bunch of regional language offerings for desis in Amreeka.

As if all that weren’t enough, now comes a new Hindi movie streaming service called Spuul with a combination of free and paid rentals and a worldwide footprint.

Spuul rolled out its service Tuesday.

Spuul Launches Bollywood Movie Streaming Service

Spuul’s paid rentals come in two flavors – a $4.99 per month subscription and a 99-cent pay-per-movie offering.

Spuul also relies on ads to support its service.

To watch the free movies on Spuul, users must log in via their Facebook account. Here’s the catch – you must allow Spuul to post on your behalf, including status updates, photos and more; Access your custom friend lists; and Access your profile data.

Well, we guess there’s no Free lunch in life and Free extracts its price one way or the other.

But what’s worse is that even the premium paid options require users to log in via Facebook.

That is nonsense.

Spuul must allow users who wish to join their paid premium service to sign up without the Facebook hassle.

That’s what Netflix, Mela and many others do. And that’s the right way for paid premium services.

How Does Spuul Work

Spuul is supposed to work on both PC/laptop and TV (via Apple AirPort or Roku).

We couldn’t get it to work on TV via the Roku set-top box because we didn’t even see Spuul in our Roku channel list. Perhaps, it’s still in the works.

Au contraire, other Indian movie/TV channels like Mela, BollyVerse, Databazaar, ChannelLive, Yupp etc are already available on Roku.

On the PC, we got an error message when trying to watch Khalnayaak, a ‘free’ movie (we’d set our Facebook setting to let Spuul access only our profile data).

Here’s the error message we got on the PC while trying to access a Spuul “Free” movie:

Error 400 Bad Request

Bad Request
Guru Meditation:

XID: 1107080120

Varnish cache server

Will Spuul Succeed?

We remain skeptical that Spuul can make much headway on the paid subscription side, at least in the U.S.

A lot of Indians are notorious thieves, preferring to illegally download movies or rent pirated DVDs of new releases from their neighborhood desi grocery stores in the U.S.

Content piracy is very high in India and we have no reason to believe Indians in the U.S. are any different from their brothers, sisters and friends in the homeland.

Plus, Spuul suffers from a big drawback.

It offers only Hindi movies while rival services like Mela offer Tamil, Telugu and other regional language films for $4.99 per month. But Mela doesn’t offer a free option.

Netflix offers a $7.99 per month streaming service with tons of content (no commercials) but only a limited number of Bollywood movies.

Spuul – Future Plans

Spuul plans to launch an app on Apple’s AppStore to let users view movie on their iPad tablets and iPhones.

The app will let users start watching on one device (for instance, a TV), pause and resume on another (iPhone or iPad).

S.Mohan (founder of Palo Alto-based Accellion and other technology companies) and media entrepreneur Sudesh Iyer are the founders of Spuul.

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The over-the-top Bollywood comedy Housefull 2 (Akshay Kumar, John Abraham et al) has met with an enthusiastic reception at the U.S. box office in its opening weekend (April 6-8, 2012).

housefull 2 box office report

Related Stories:
Housefull 2 – Entertaining Piffle

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Given Akshay Kumar’s unceasing penchant for starring in films that require you to leave your brains at home, we walked into Housefull 2 with high apprehensions and low expectations.

Boy, were we surprised.

‘Tis true, Housefull 2 is total bakwas (nonsense) but thankfully of the amusing kind.

Directed by Sajid Khan based on a ‘story’ by Sajid Nadiadwala, Housefull 2, set in London, is a wildly over the top affair with bum-chomping crocodiles, dick-biting pythons, parachuting grooms, dacoits-turned-billionaires shooting Prince Charles etc.

But the movie manages to eke out lots of laughs.

For us, the two biggest delights of the movie were the coming together of real-life brothers Randhir Kapoor and Rishi Kapoor on the screen and the high humor quotient.

Randhir and Rishi play step-brothers in the film and do a superb job.

Together, they deliver an acting lesson to the younger generation of Bollywood stars.

Bollywood writers usually do a lousy job with comedies, which often end up hopelessly crass, crude and crappy.

In Housefull 2, although the nonsense never stops careful attention to the writing pays off for the laughs don’t stop too.

Housefull 2 – The Story?

Ha ha ha, you must be crazy if you insist on knowing the story of Housefull 2.

Didn’t we already say it’s nonsense?

Well, if you insist.

It all starts with the high aspirations two estranged brothers Daboo (Randhir Kapoor) and Chintu (Rishi Kapoor) have of snaring a super-wealthy son-in-law for their respective daughters Bobby (Jacqueline Fernandez) and Heena (Asin).

The rest of the movie is a fallout of their high aspirations and a lengthy chronicle of insults, revenge, hiring of two crooks Sunny (Akshay Kumar) and Max (John Abraham), love, fights, flashbacks and confusion galore.

Akshay Kumar and John Abraham play their characters with enormous gusto, with Akshay having an edge in the acting department.

Shreyas Talpade and Ritesh Deshmukh do a more than adequate job in contributing to the mischief and adding to the nonsense + amusement quotient.

Where there are four young men and four babes, love’s bound to follow in short order.

And so woven into this endless nonsense are four love-stories.

Mithun Chakraborty, Johnny Lever and yesteryear Bollywood ‘rapist’ Ranjeet are part of the frolic.

Four Girls

There’s not much to be said of the four girls – Jacqueline Fernandez, Asin Thottumkal, Zarine Khan and Shazahn Padamsee. Continue reading »

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Agent Vinod, which had a fairly wide release in the U.S. (for a Bollywood film), hasn’t done well at the box office.

And that’s a shame because the movie is a decent Hindi action, spy thriller.

Here’s how Agent Vinod fared at the U.S. box office compared to a few prominent Bollywood films:

 agent vinod u.s. box office report

Related Stories
Agent Vinod Review – Oozes Panache

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