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Hooray, Barfi Crushes Heroine at U.S. BO

Heroine (2012)
Director: Madhur Bhandarkar
Cast: Kareena Kapoor, Arjun Rampal, Randeep Hooda, Helen

Repeated boob shows,  self-made porn tapes, multiple bedroom scenes, lesbian acts, itsy-bitsy costumes that cover little and leave little to the imagination and pimping out men to get film roles, all punctuated by screams of “Bastard,” “Bitch,” and endless puffs of a cigarette constitute the sum total of Bollywood director Madhur Bhandarkar’s latest offensive against Indian moviegoers called Heroine.

Incapable of coming up with a coherent, engaging narrative, Bhandarkar’s sole ‘achievement’ with Heroine is to caricature top Indian actresses as bitchy tramps and the top actors as sexploiting cads.

In lockstep with the plunging necklines of the girls in Heroine, Bhandarkar plumbs the depths of every possible cliche about the movie world and wraps them up in mediocre dialogs shorn of any zing.

As if all of the above were not crass enough to put the discerning audience off, Bhandarkar populates the movie with two of India’s worst actors, Kareena Kapoor and Arjun Rampal.

Both Kareena and Arjun cannot emote to save their lives and yet, mon dieu, these charlatans hog most of the screen time.

Kareena plays the eponymous heroine Mahi Arora of Heroine.

The movie follows her career ups and downs, romances and failed romances, insatiable lust for fame and success, hysterical outbursts, pill-popping and drinking, traumas and betrayals, all in the crassest, crudest fashion possible.

The writing and acting are so sloppy that it’s impossible to make an emotional connection with the woman at the center of it all.

Kareena’s sole contribution to the film is to make herself look as slutty as possible much of the time while wearing the least possible amount of clothes.

If you have to know, Arjun Rampal plays Aryan, a film star and one of Mahi’s lovers.

What’s with all the “Rats,” “Andy,” “Babes?”

Does no one in Bollywood have an Indian-sounding name any more? If the goal is to effect sophistication, it’s a miserable failure. Continue reading »

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Kareena Kapoor’s much ballyhooed film Heroine is getting whipped by critics.

Directed by Madhur Bhandarkar, Heroine is the roller-coaster life story of a movie star played by Kareena, one of Bollywood’s most mediocre actresses.

Here are excerpts from a few unflattering reviews of Heroine.

* Rediff

The first half of the film passes swiftly enough, with much spot-the-unsubtle-celeb-impersonation to be played…But soon things devolve into utter lunacy..

* Reuters

“Heroine” belongs to the “Madhur Bhandarkar” genre of films. Pick any field, or place (Corporate, Jail, Fashion), stuff it with every cliché you can think of and more, add a gay character (irrespective of whether the story needs it or not), throw in some over-the-top dialogue, and of course, package the whole thing as “realistic cinema”….“Heroine” is no different – it feels like Bhandarkar has copy-pasted characters from his films to this one, changing their names and making cosmetic changes to suit this film.

* NDTV

Heroine is drably monotonous, its insights are shallow, most of the characters are caricatures and the lines that they speak border on the corny, if not on the outright ridiculous.

It is a single-note film that never manages to break free from the limitations imposed on its flow by its own slew of predictable contrivances.

* DNA

All said and done, the film may be a one-time watch. But if you expected too much out of the film, it may not be worth the anticipation and your money.

* Upper Stall

Tacky does not even begin to describe the production value on this film based on films based on movies based on Bollywood, and if Bhandarkar’s team hasn’t already realized the sheer worthlessness of working on the same project over and over again, they might end up as the secondary cast in his next.

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Hooray, Barfi Crushes Heroine at U.S. BO

Ranbir Kapoor is moving into the big league.

His latest film Barfi, in which he plays a deaf and dumb character, has done remarkably well at the U.S. box office.

Directed by Anurag Basu, Barfi also features Ileana D’Cruz, Rupa Ganguly and Saurabh Shukla.

In the opening September 14-16, 2012 weekend, Barfi grossed over a million dollars at the U.S box office.

Media reports from India suggest the movie has had a solid opening in Mera Bharat Mahaan as well.

Here’s how Barfi fared at the U.S. box office compared to a few prominent Bollywood films:

barfi box office report - © SearchIndia.com

Related Posts

Barfi Review – Not Swoonworthy Fare

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Hooray, Barfi Crushes Heroine at U.S. BO

Story, Screenplay, Direction: Anurag Basu
Cast: Ranbir Kapoor, Ileana D’Cruz, Saurabh Shukla, Rupa Ganguly
Release: September 14, 2012

Barfi is a decent film considering the offal that Bollywood routinely puts out.

But in my not so humble opinion Barfi is not swoonworthy fare.

Most certainly not.

Tedious Parts

At 2-hours and 27-minutes, the romance drama is far too long and tends to drag considerably in the second half.

Truth be said the movie descends into tedium for the better part of the second half.

And like most Indian films, Barfi too is escapist fantasy, not in the least bit realistic.

Don’t expect me to believe that a healthy and pretty upper class Indian girl falls in love with a deaf and dumb wastrel.

Hell, no.

Not now and not even in the 1970s, the setting for this film.

Also, what the girl sees in the wastrel that she’s willing to risk her imminent marriage to go romping with him on his bicycle is not clear.

All we get are vague shibboleths like Barfi taught me to live life or some such drivel.

Director Anurag Basu also achieves the impossible of having his main cast not age for several years. Only toward the end, we see age dramatically catching up with the principal characters.

By the way, the last scene involving Barfi and Jhimli was a straight lift from the final moments of the Hollywood film The Notebook.

Ranbir Kapoor Shines

Of course, the principal reason to see Barfi, and the highlight of the film, is Ranbir Kapoor. Continue reading »

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I can’t for the life of me remember the exact year.

But I have a feeling it must have been in the late 1960s.

The whole caboodle including yours truly went to see Love in Tokyo (Joy Mukherjee, Asha Parekh).

It was a much talked about movie those days.

The songs from the film were forever playing on the radio.

And here I was on a visit to my grandpa’s place during the summer vacation, excited about a visit to the movies.

I still remember the city bus no (30B) that we took to the theatre.

Not to Be

Alas, just a few minutes into the movie the lights came on.

Yes, it was one of those dreaded Indian moments – what hundreds of millions still lament in Mera Bharat Mahaan as a Power Cut.

I remember the theatre giving us some kind of coupons to be redeemed for a later show.

Alas, we never found the time to do so.

And I never got to see Love in Tokyo again.

At least, not in full.

Of course, in the decades since the ‘power cut’ mishap I have heard the Love in Tokyo song (Mohammed Rafi) countless times.

I still love this song as much as I did when I first listened to it, probably on Radio Ceylon or Binaca Geetmala, a million years back.

In my sober moments, and in in my frequent drunken stupors this song has been a great solace over the decades.

Love in Tokyo was one of the first tracks we purchased at the Apple iTunes store a few years back.

Watch the late Joy Mukherjee making an ass of himself in the picturization of this lovely song:

Love in Tokyo was probably Joy Mukherjee’s biggest hit in a career that never really took off.

The other fine song from Love in Tokyo is Sayonara, Sayonara. (Lata Mangeshkar).

This admirable number too has ably withstood the test of time.

By the early 1970s, Joy Mukherjee withered away into obscurity and emerged into public consciousness only at his death in March this year.

By God, Asha Parekh was truly a lovely doll then. ;)

Related Content:

Love in Tokyo
Joy Mukherjee

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If it’s an Akshay Kumar film, you can be sure it’s got garbage written all over it.

The bozo’s new film Joker released today, to almost universal derision.

The only silver lining is that the trashy film has had a poor opening in India.

Here, read excerpts from some of the reviews for Joker:

NDTV

Joker is a crude joke of a film that will leave you in tears unless you have a stomach strong enough to digest such unmitigated junk.

Occasionally, trash does have its uses in the domain of entertainment. But when it decomposes and turns into putrid garbage, it stinks. Yes, Joker is a load of rubbish that belongs in the dump yard.

Rediff

There isn’t a single line in Shirish Kunder’s Joker that actually works…

DNA

The best thing I can say about Joker is that it’s better than Tees Maar Khan. That gem — the benchmark of all that is mind-numbingly terrible about Hindi films….Listing out the inanities of Joker would take an obnoxiously long amount of time and effort, in addition to the two hours the film saps out of your soul watching it.

Bollywood Hungama/IndiaFM

[I]t gets cumbersome to sit through the film after a point, since what unfurls is ridiculous and bizarre. ..On the whole, JOKER is a joke of a film. Disaster!

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