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Ajith’s Shame – Hey, Even Genelia’s Better than Him

AeganKuppa Thotilla Podu (throw this movie into the garbage bin).

Compared to the devilishly bad Aegan, its Bollywood inspiration Main Hoon Na is an Oscar-worthy masterpiece and a lofty work of art.

Compared to Ajith’s Ultimate Korangu like antics in Aegan, Shahrukh Khan is a Marlon Brando.

And compared to Aegan’s mis-director Raju Sundaram, Farah Khan is Kazan + Hitchcock + Spielberg + Coppola + Scorsese.

The principal villains of Aegan are a hopelessly disjointed story, pathetic performances by Ajith, Nayantara et al compounded by inept direction by Raju Sundaram, who is also the writer of this piece of junk.

The Aegan story hews broadly to the Main Hoon Na theme albeit with some differences.

In Aegan, a young police officer (Ajith Kumar) goes undercover as a college student to nab an approver Ram Prasad, who’s on the run after escaping an attack on the police convoy while he was en route to the court to testify against notorious criminal Chinappa (Suman). You see, the thinking is that Ram Prasad will come to the college to meet his daughter Pooja (Piaa Bajpai) and can be nabbed there. Elementary, my dear Watson.

Like Shahrukh Khan in Main Hoon Na, Ajith too falls for his college teacher (the horrendously bad Kerala actress Nayantara in this instance).

Unlike Main Hoon Na, there are so many disjointed elements in the Aegan story that together impart a sophomoric stain to the whole movie.

Take a look at some of the egregiously disjointed nonsense in Aegan:

* Out of the blue, Pooja’s boyfriend Naren (Navdeep) is suddenly shown helping Pooja’s father to escape when he is chased by Ajith.
* Unlike in Main Hoon Na, the family tension that led to Ajith’s step-mother (Suhasini) and step-brother leaving home is abruptly introduced at the end, almost as an after thought.
* In the beginning, Ajith is shown to be friends with four kids Tinku, Rinku, Karan and Varun but the kids vanish after that. Were they kidnapped?
* The final scene shows Ajith’s family happily reunited, again without any effort to explain things.
* But surely the most bizarre scene was when the approver Ram Prasad blithely walks into the the college to be handcuffed by Ajith and taken away in a police jeep.

Besides the many disjointed elements, Continue reading »

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Friends and family often ask us whether we’re waddling advertisements for the laughing Buddha, you know the one with the swollen belly. 

You see, like most Indians we relish our Malai Kofta, Navaratan Korma, Chicken Chettinad, Idli, Vada, Gojju, Masala Dosa and those delectable desi sweets like Jangir, Doodhi Halwa, Kesar Peda, Badam Halwa, Haigreeva et al.

From San Diego on the Mexican border to Niagara on the Canadian border, we must have dined at over 150 Indian restaurants in the U.S. Such is our insatiable lust for those fiery Indian curries and non pareil sweets.

Telling us to eat less Indian food is like telling that Bollywood duffer Abhishek Bachchan or Tamil film star Ajith to learn acting – the advice falls on deaf ears.

But now help could be at hand for us in the form of a new medical technique that staples the stomach (yes, you read it right the first time. No typo here. It literally staples your stomach).

The New York Times recently had an interesting piece on this new technique of weight-loss surgery.

Here’s an excerpt from the NYT piece on the stapling-surgery on one patient, Karleen Perez:

The surgeons, Dr. Marc Bessler and Dr. Daniel Davis, had just stapled her stomach to form a thumb-sized tube that would hold only a small amount of food. The operation resembled others done for weight loss, with one huge difference. In Ms. Perez’s case, there was no cutting. Instead, the surgeons had passed the stapler down her throat and stapled her stomach from the inside.

Inspecting their handiwork, Dr. Bessler said, “I don’t think you’ll get much better than that.”

The operation, meant to make people feel full after eating very little, is strictly experimental. Only a few patients have tried it in this country, as part of a study paid for by Satiety Inc., which makes the staplers and hopes the Food and Drug Administration will approve them.

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Are the bozos in the Tamil movie industry so bereft of ideas that they should stoop so low as fall back on a mediocre Bollywood movie for inspiration.

With Indian media reports suggesting the new Tamil movie Aegan is a remake of the Bollywood film Main Hoon Na (2004), we decided to give the old Shahrukh Khan film a spin on our DVD player.

Our verdict – Main Hoon Na (Shahrukh Khan, Zayed Khan, Suneil Shetty, Amrita Rao, Sushmita Sen) is just another mediocre Bollywood flick that has little going for it except the SRK brand that usually resonates well with Indian audiences.

Directed by Farah Khan, Main Hoon Na is the usual implausible Bollywood balderdash of nonsense heaped on more nonsense with nary a hint of logic.

Indian military officer Major Ram Prasad Sharma (Shahrukh Khan) goes under cover as a college student – ha ha ha – to protect Sanjana (Amrita Rao), the daughter of Indian Army Chief’ Bakshi (Kabir Bedi) while at the same time searching for his step-brother Lucky (Zayed Khan).

The villain of the movie is Raghav Datta (Suneil Shetty), a cashiered army officer hellbent on sabotaging Project Milaap, which seeks to promote friendly ties between India and Pakistan through the release of prisoners.

The silly story is also credited to Continue reading »

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