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Rab Ne Falters at Box Office; Just 52% of Om Shanti Om

A chorus of movie critics across the world has slammed Rab Ne Bana Di Jodi (Shahrukh Khan, Anushka Sharma).

A 167-minute cruel nightmare, Rab Ne Bana Jodi is the latest piece of trash from the fading Yash Raj stable.

Here’s a sample of the critical reviews:

IBNLive:

To be honest, even if you are willing to buy into that bizarre premise – that Taani fails to recognize her own husband because he’s shaved his moustache, lost the spectacles and picked a funky hairstyle - Rab Ne Bana Di Jodi is still an exhausting watch because it’s such a predictable story, because it recycles the same old clichés, and because the characters are so poorly developed.

SearchIndia.com:

With no story worth speaking of save a newly married uxorious husband Surinder Sahni (Shahrukh Khan) making a monkey of himself to get his young wife Taani (Anushka Sharma) to love him, an inept screenplay that makes junk like Yuvvraaj and Drona look glorious, mediocre acting by Shahrukh Khan and Anushka Sharma that make the grotesque Tamil film stars seem great and soporific dialogs that have less life in them than Manmohan Singh’s speeches, Rab Ne Bana Di Jodi heaps more shame on Bollywood and fresh infamy on the fading Yash Raj Films banner.

The Telegraph:

If you don’t have DDLJ on your mind, you won’t mind Rab Ne. But the fact remains, it’s little more than an ordinary film with extraordinary intentions.

IndiaFM:

In a nutshell, RAB NE BANA DI JODI is no DILWALE DULHANIYA LE JAYENGE. It’s not MOHABBATEIN either. At best, it’s an average fare that may generate some curiosity initially, that’s it. You expect much, much more, but… alas! Continue reading »

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Total garbage.

Immune to our cries of mercy, oblivious to our pain and without a flicker of remorse, two Bollywood veterans unleash a 167-minute cruel nightmare in Rab Nahin Bana Di Yeh Bosudi oops Rab Ne Bana Di Jodi that boggles the mind.

What were the devil’s apprentices Aditya Chopra and Shahrukh Khan thinking, if they were thinking at all, when they made this piece of trash.

With no story worth speaking of save a newly married uxorious husband Surinder Sahni (Shahrukh Khan) making a monkey of himself to get his young wife Taani (Anushka Sharma) to love him, an inept screenplay that makes junk like Yuvvraaj and Drona look glorious, mediocre acting by Shahrukh Khan and Anushka Sharma that make the grotesque Tamil film stars seem great and soporific dialogs that have less life in them than Manmohan Singh’s speeches, Rab Ne Bana Di Jodi heaps more shame on Bollywood and fresh infamy on the fading Yash Raj Films banner.

And mucho disgrace on Shahrukh Khan and Aditya Chopra as well.

To ask the audience to believe that a woman can’t recognize her husband just because he’s removed his mustache and donned a flashy dress (and even after practising dancing with him for several days) is to suggest that Indian moviegoers need a brain-transplant.

Au contraire, it’s Yash Raj Films’ heir apparent – and the mooncalf behind Rab Ne Bana Di Jodi – Aditya Chopra who desperately needs a brain transplant. After all, it’s this lobotomized bozo who is credited with the silly story, hopeless screenplay, banal dialogs and complete misdirection.

Mon dieu, the sheer arrogance of Shahrukh Khan in deluding himself that the audience would lap up any tripe he throws their way has few parallels in Bollywood.

With his affected mannerisms (Thank you Ji. Mention not Ji. Taani Ji…), lifeless dancing and flat dialog delivery, Shahrukh Khan is an embarrassment to behold in Rab Ne Bana Di Jodi whether as the mamooli aam aadmi Surinder with that forever constipated look or as his rustic alter ego Raj wearing that clownish mien.

Is this joker really the Bollywood Badshah?

Anushka Sharma is as mediocre an actress as Bollywood’s previous Continue reading »

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