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The funeral drums are beating.

Ah, the dirge. Unbearable, the harsh sounds of the wails.

Folks, the UK box office numbers for the Vikram-Aishwarya Rai starrer Raavanan (Tamil) are out and they are ugly.

Mon dieu, Raavanan’s box office numbers are worse than that that of the infernal Kuruvi:

Related Stories:
Raavanan Review – Tamil Shit Better than Hindi Shit
Raavan Box Office: Disaster, Act of God, Pathetic
Raavan Review – Beastly Nonsense

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Raavan Review – Beastly Nonsense

Folks, Raavan has turned out to be a big disaster in the UK too.

Hell, this is no surprise.

Indeed, no surprise at all.

After all, it’s an Abhishek Bachchan movie.

Here, the below table tells the sorry box office tale of Raavan in UK:

Related Stories:
Raavan Review – Beastly Nonsense
Raavan Box Office: Disaster, Act of God, Pathetic
Raavanan Review – Tamil Shit Better than Hindi Shit

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C’est magnifique!

If you live in the U.S. and in the vicinity of where the English movie Winter’s Bone is playing and still don’t care to see it, then may you be stricken with the plague and suffer unendurable pain.

Seriously, Winter’s Bone is that good a movie.

Hungering for Relief
Desperate to rid our soul of the putrid remnants of the Bollywood bozo Abhishek Bachchan’s nightmare Raavan, we acutely hungered craved for some relief.

And we found our Nirvana Saturday at Ritz 5 Philadelphia in Winter’s Bone.

Folks, Winter’s Bone is not just a good picture.

Au contraire, it’s a magnificent, jaw-dropping, awesome picture.

The kinda movie that wholesomely restores your faith in movies as an art form and as a medium of entertainment.

And you don’t have to salvage a shopworn epic like Ramayan for a story.

Are you listening, Mani Ratnam?

Mani Ratnam are You f*cking listening?

There were close to 50 people for the 2:50PM show of Winter’s Bone and as far as we can remember that was a record for any indie movie we’ve watched at the Ritz 5.

Adapted from the 2006 novel of the same name by Daniel Woodrell and directed adeptly by Debra Granick, Winter’s Bone is straight off a piece of life in modern-day America.

That is, life just a few miles outside of the big cities.

For all you dolts who still believe in the fiction that America is the richest country in the world and where the streets are paved with gold, let’s tell you that there are millions, both Whites and Blacks, leading miserable, hardscrabble lives, sometimes a mere few miles beyond the city limits.

And that is the picture Winter’s Bone presents us, and so well indeed – a realistic slice of rural life in America, of families living in such poverty where they still hunt squirrels for food, where there’s no money to even take care of the family horse and where joining the Army is often the sole hope.

Ree Dolly Suffers a Brutal Beating

The setting is the Ozark mountains in Missouri (don’t ask, we haven’t been there) where, in parts, cooking meth (the process of making an illegal narcotic drug) is a way of life, a way out of poverty or a way of crime.

Which way, you ask? Well, that depends on your perspective and the prism through which you view the world.

Wall of Resistance
When young Ree Dolly’s (Jennifer Lawrence) father Jessup Dolly fails to appear at a court hearing after posting their home as the bail-bond following an arrest, the bond agent comes calling with the unwelcome news that the family will lose the house unless Jessup can be found.

And found soon, else the family will have nowhere to live. Continue reading »

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