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(For SI Blog reader Guruprasad)

Some movies are indeed for the ages.

Neither the passage of time nor the march of technology (like color, surround-sound, 3D et al) or new forms of entertainment can diminish their lustrous appeal.

Like for instance, the 1957 Hollywood murder/court-room drama Witness for the Prosecution, our fifth Billy Wilder movie (Double Indemnity, Sunset Boulevard, Love in the Afternoon and Sabrina are the other Billy Wilder films we’ve seen).

More than five decades after the film debuted, Witness for the Prosecution is an enduring testament to director Billy Wilder’s prodigious talent and mastery of the craft.

Since many of you ADDled schmucks have difficulty in reading anything beyond five paragraphs, let’s say it in stentorian tones – Witness for the Prosecution, a black and white film shot mostly indoor, is a gorgeous movie and an absolute delight to watch.

Based on a play by the British crime novelist Agatha Christie and a screenplay by Billy Wilder and Harry Kurnitz, Witness for the Prosecution showcases not merely fine acting (foremost of all by the remarkable and endearing Charles Laughton) but a gripping story laced with humor, strong writing and knotted in neat twists that keep you glued to the screen. Continue reading »

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Watch from 5:00

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Remember the Telugu bidda Murali Krishna Nookella?

No? Nookella was the 35-year-old H1B desi dickhead and SAP consultant arrested on March 1 this year for allegedly exposing his dick to a lady co-passenger on a Southwest Airlines’ flight from Philadelphia-Denver.

Murali Nookella’s female co-passenger “C.S.A” had basically alleged that he was masturbating on the plane and that his erect dick had peeped out from below his blanket.

Desi Dicksposure
Now Murali Krishna Nookella has essentially admitted to exposing his dick on the commercial flight.

In a 11-page statement to the U.S. District Court in Denver dated May 5, 2010, Murali Nookella declared:

I wish to plead guilty to the following charge(s):

Count One of the Information charging a violation of 49 U.S.C. 46506(2), Obscene and Indecent Exposure on an Aircraft.

Statutory Penalties
The punishment for violation of 49 U.S.C. 46506(a) is up to 90-days of imprisonment or fine of up to $5,000 or both; up to one-year supervised release; $10 special assessment fee.

Murali Krishna Nookella may also face deportation because of the conviction. Continue reading »

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Kung Fu lies in everything.  How we put on the jacket. How we take off the jacket. Everything is Kung Fu. – Jackie Chan’s character Mr. Han to Dre (Jaden Smith) in Karate Kid.

If there’s one thing that inflames us more than the abominable sight of  Indian adult ‘actors’ like Abhishek Bachchan, Trisha Krishnan, Ajith, Priyanka Chopra and Nayantara go through the motions of acting, it’s to see our child stars (Darsheel Safary excepted) go through the contortions of acting.

Beyond disgusting.

So is it any surprise then that we found our Nirvana today in Jaden Smith.

What a Treat
We went for the 4PM ET show of Karate Kid today at a theater on the East Coast only to be turned away at the box office because the show had been sold out. Guess what, even the 6:05PM show was sold out. But this time we’d bought the ticket a couple of hours early.

Folks, the only reason to see Karate Kid is 12-year-old Jaden Smith.

The kid is an absolute treat to watch on the big screen.

Charming when he’s boasting of his non-existent talents in the park, engaging when he’s got the sly, impish look on his face with his young crush Mei Ying, attractive when he’s training with his Kung-Fu instructor Mr.Han and good even when he’s licked, be it in the park at ping-pong or in a fight with the bullies.

Sheer dynamite and makes it worth the $10.50 ticket price.

We saw him briefly in the 2006 film The Pursuit of Happyness for which father Will Smith got an Academy Award nomination. But here in Karate Kid he takes center stage and gets first billing in the credits, ahead of even Jackie Chan. Continue reading »

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by SI Blog reader Racer44
(Parts 4-5)

Note: Visitors are advised to read Ponniyin Selvan – A Masterpiece from a Master Raconteur (Parts 1-3) before proceeding further.

****************

The fourth part of the mammoth saga begins with the Crown Prince Adithya Karikaalan reaching the borders of Kadambur with Parthibendra Pallavan and Kandhamaran in tow after having accepted Nandhini’s invitation to see her there. His maternal grandfather Thirukkovalur Malaiyamaan also accompanies Karikaalan but takes his leave outside Kadambur with a final warning to Karikaalan not be gulled by false tears and deceitful ways of women. But Karikaalan is deaf to his grandfather’s wise counsel. His metamorphosis is complete. Torn by insecurity and ever-increasing paranoia as he draws closer and closer to Kadambur, Karikaalan has been reduced, mentally, to little more than a long-suffering wraith, haunted at all times by memories of his final meeting with Nandhini, and even half-believing that executing Veerapandiyan was a monumental folly. Prone to delusions and wild mood swings, Karikaalan constantly keeps his companions on tenterhooks with his stinging barbs and mordant wit.

A trademark of all of Kalki’s novels is a penchant to clearly carve out each of his characters as living breathing human beings who have underlying motives for all their actions. Not for him are the ersatz emotions and sketchy character development. A classic example here is that of Malaiyamaan. He is not just Adithya Karikaalan’s maternal grandfather, but has his roots deep in history. His family had traditionally been bitter enemies of the Kadambur Sambuvarayars, before coming under the common umbrella of the Sozha empire. This clannish rivalry, further fueled by reports of Sambuvarayar offering his daughter’s hand in marriage to Karikaalan, impels him at a basic level to at least try to stop Karikaalan. Thus, piece by piece, we are familiarised with the manifold reasons behind Malaiyamaan’s failed bid to prevent Karikaalan from embarking on his journey. Malaiyamaan also suspects that the marriage “deal” will just be one of the baits to divide the kingdom. To this too he is firmly opposed, as his grandson would be deprived of half the empire and the resulting smaller kingdom would be untenable to defend against their northern foes. And, last but not least, Malaiyamaan acutely fears for Karikaalan’s life, only knowing too well his susceptibility to Nandhini’s charms and sensing that some deeper conspiracy is afoot at the palace, whose ends he cannot foretell.

Meanwhile, at a temple near the outskirts of Kadambur, Vandhiyathevan and Azhwaarkadiyaan come across a band of Pandiya cabal members climbing out of a subterranean secret passage way and, on an impulse, Vandhiyathevan jumps into the same tunnel to track it to its end. His hunch proves right as the secret tunnel leads him to one of the rooms in the Kadambur palace. After a couple of perilously close encounters with the Pandiya plotters at the palace, Vandhiyathevan once again escapes and joins Azhwaarkadiyaan near the palace perimeter. Stealing a couple of horses from soldiers of the battalion announcing the entry of Periya Pazhuvettarayar and Nandhini, both of them set off to meet Karikaalan along the route to Kadambur. They meet his company along the way, but apart from Karikaalan himself who greets them with much bonhomie, there is a distinctly cold welcome to their out-of-the-blue appearance as accusations and recriminations are traded back and forth between Kandhamaran (who claims he was stabbed in the back by Vandhiyathevan inside the dungeons of the Thanjavur treasury) and Parthibendran (who is keen to know how Vandhiyathevan made it alive out of Sri Lanka and what happened to Prince Arunmozhi Varman who had gone to rescue him) on one side and Vandhiyathevan on the other. Peace is enforced by Karikaalan who promises to look into each ones’ grievances and deliver justice. Azhwaarkadiyaan departs for Thanjavur after delivering Prime Minister Brahmmarayar’s warning to Karikaalan on his stay at Kadambur. Continue reading »

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The dead look so terribly dead when they are dead.
- Larry Darrell to Isabel Bradley in Somerset Maugham’s The Razor Edge. P.51

The Razor’s Edge has a strong connection to India and a famous South Indian saint that we’ll talk about at length on another occasion.

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