Click Here!

Blog & Web Directory on India
Click here
    
Advertise    SI Web Directory    Home    About Us     Facebook    Twitter
 
Share

(Dedicated to the countless, helpless rape victims and hookers of India)

Indian Behnchods are raping their sisters, daughters and cousins less, that’s the good news this Diwali.

Now, the depressing news this Diwali – Indian Haramis are raping others more.

No, we’re not drunk. Hey, it’s only noon here on the East Coast and all we’re sipping is a cup of hot masala chai.

Our analysis and conclusions are drawn from the National Crimes Record Bureau 2010 Crimes Report released today.

Incest rape was down 10.3% in 2010, according to the report.

On the other hand, total reported rape incidents in India in 2010 was 22,172, up 3.6% over the previous year.

Crimes Against Women in India in 2010

What gives?

Are desperate Indian libidos no longer turned on at the sight of their nubile daughters, pretty sisters and voluptuous cousins? Are they seeking relief between non-incestuous sheets? Or is it a case of under-reported, faulty incest statistics?

Who can fathom the mysteries of Incredible India.

Hell, even statistics can get raped in that benighted land! ;)

Caveat: As all but the schmucks know, given the stigma attached to rape victims in India the real rape numbers for both incest and other rapes are likely much, much higher than official statistics.

By the way, India’s conviction rate for rape at 26.6% is less than that for robbery (28.3%) or economic crimes (30.3%).

This means if you’re a recidivist criminal, you have a better chance of getting away with rape than for cheating (29.2%) or other economic offenses.

Just in case you’re curious, Maharashtra tops the country in incest rapes. No, we don’t think Bollywood has anything to do with an insatiable desire to poke your daughter, sister or cousin. ;)

Rape in India – Boom Times

Gold, software exports, call centers, malls and real estate are not the only things booming in India.

In a little noticed development, the biggest boom in India over the last few decades has been in the incidence of rape.

In the four decades from 1971-2010, rape in India has grown 791.5%.

During the same period, India’s population increased only 110%.

What explains the phenomenal increase in rape vis-a-vis other crimes in India.

SI’s hypothesis is that the explosion in Indian rape numbers is due to more leisure time, change in dietary habits, greater exposure to mass media, easy access to porn and a big jump in working women exponentially increasing the available prey.

Rape Increases 791.5% in India Over 4 Decades

Rape in India – Any Time, Any Place

In India, rapes can happen at any time and anywhere.

Not even police stations are safe havens because some of India’s deadliest, sadistic, malevolent criminals strut around these places wearing the garb of a police uniform.

The National Crimes Record Bureau 2010 Crimes Report acknowledges six custodial rapes, by which we presume inside police stations.

Surely, no sane Indian believes there were only six rapes inside a police station in 2010.

More like 60 every day. Wouldn’t that be closer to reality?

Indian Women Fucked

Indian women are getting fucked literally and figuratively.

In Incredible India, the percentage of total crimes committed against women has gone up by 4.8% in 2010 to 2.14 million. Again, we believe these numbers are under-reported given the historically lower status of women.

Besides rape, other crimes against Indian women include kidnapping, sexual harassment, molestation, dowry demands, torture etc.

As we’ve said often, in India behind the oft-repeated shibboleths of respect for womenhood lurks a satanic male mind with little respect for the female sex.

A lot of Indian families still prefer male children and female infanticide and foeticide are not uncommon in the rural hinterland.

North Indian Dickheads – Bigger Rapists

As with most things in India, even with rape there’s a North-South divide.

By South India, most Indians refer to the states of Tamil Nadu, Andhra Pradesh, Kerala, Karnataka and Puducherry.

All other Indian states are considered North India, even if they happen to be in the West, East, North-East or Central India. Weird logic, yes, but that’s how it is in India.

If you look at the total numbers, North Indians play the rape game more aggressively compared to South Indians.

All South Indian states put together accounted for 3,271 rape incidents or 14.75% of total 22,272 rapes in 2010.

Since South Indians represent 20.8% of the total Indian population but account for only 14.75% of rapes, one might be forgiven for positing that North Indian dickheads have less control over their dicks in Mera Bharat Mahaan.

More Rapes in North India Compared to South India

SI Travel Advisory – Rape, Sexual Harassment & Eve Teasing

Like the U.S. State Department travel advisories, SI is issuing the following advisory:

* Those visiting the North Indian state of Madhya Pradesh might want to be aware that the state has the dubious honor of the highest number of Rape cases (3,135)  and Molestation (6,646) accounting for 14.1% and 16.4% respectively of total such cases reported in the country.

Although Madhya Pradesh is technically in central India, it’s still considered North India in a lose fashion because it’s not part of South India.

* Also, if you’re traveling via public transport or otherwise moving around the South Indian state of Andhra Pradesh, you stand a higher chance of being groped, pawed, pinched or subject to other forms of sexual harassment.

Andhra Pradesh accounts for 45.8% (4,562) of total Sexual Harassment cases in India. SI’s hypothesis is that this is all the result of the Telugu penchant for eating those fiery avakkaya pickles and watching that shrieking Tollywood baboon [deleted]  movies in which yelling, screaming, barking and braying at women is the norm. Of the two, which is more culpable is beyond the ken of non-Telugu minds to determine.

Cyberabad police district, again in Avakaya country aka Andhra Pradesh, leads India in sexual harassment with 1,257 cases. Say, does software development have a correlation with sexual harassment or imbalance in sexual hormones.

Andhra Pradesh is also the Rape Capital of South India, accounting for 41.63% of rapes in South India. West Godavari district with 127 rapes in 2010 is the most dangerous for women.

Vijaywada, a city in Andhra Pradesh, is big on eve-teasing accounting for 16% of total cases in India.

* India’s capital Delhi accounted for 23% of Rape cases, 37.7% of Kidnapping & Abduction cases, 14.6% of Dowry Deaths and 16.5% of Molestation cases among 35 cities. So when in Delhi, keep a pepper spray/mace handy at all times.

Who gets Raped in India?

Of course, it’s mostly the unfortunate, unlucky girl or woman who gets raped in India.

But if you are over 30 in India the chances of your getting raped falls off dramatically.

As a matter of fact, 82.4% of Indian rape victims are under 30.

Perhaps, young Indian women ought to consider dyeing their hair white before stepping out of their homes if they want to restrict admission rights down there.

Rapes by Age in India

Tamil Nadu – Thevadiya Nadu (Hooker state)

No discussion on any aspect of India is incomplete without a mention of our favorite state, Tamil Nadu.

Tamil Nadu can more appropriately be called Thevadiya Nadu (prostitute state) given that it accounts for the highest percentage of cases booked under Immoral Traffic Prevention Act (a bureaucratic name covering prostitutes, clients, pimps and brothel owners) in India.

Tamil Nadu accounted for 22.7% of the total Immoral Traffic Prevention cases in India (567 out of 2,499) followed closely by its randy neighbor Andhra Pradesh (21.9%).

Given the weak economic status of the prostitutes relative to clients, pimps or madams and the inability of hookers to pay bribes demanded by cops, we’d consider the majority of cases booked here are against prostitutes or Thevadiyas as these little birds of the night are known in Tamil Nadu.

If more Thevadiya cases are filed in Tamil Nadu then other states, it could mean many things – there are more hookers in Tamil Nadu, the police in Tamil Nadu are more aggressive against prostitution, the prostitutes in Tamil Nadu are too poor to pay bribes or Tamil men have hyperactive libidos that can’t sated with the hand or a mouse-click.

Mera Bharat Mahaan!

Share
 
Share

By Naveen

On the unenviable lines of his past monsterpieces Tirupachi, Madurey, Villu, Sura and Vettaikkaran, Vijay has taken Tamil Cinema eight steps backward this Diwali with Velayudham.

Oh, if you are one of those elitists turning your nose up at Vijay’s films, then let’s see your Brando, Al Pacino or De Niro even try what Vijay does effort-lessly! ;)

Produced by “Aascar” Ravichandran and ejaculated directed by M Raja, Velayudham stars “Ilaya Thalapathi” Vijay, Genelia D’Souza, Hansika Motwani, Santhanam matrum palar (and others) in a casting coup that would put Asscar Oscar winners to shame.

Diving into the Telugu Cesspool

As if there were no more sophomoric drivel left in Tamil Cinema and all combinations of puerile junk had been exhausted, M. Raja dives into the cesspool of Telugu cinema by shamelessly stealing (or borrowing, if he has bought the rights) this fiendish plot from Azad, a 11-year-old movie starring Nagarjuna and Shilpa Shetty.

Of course, where else would he find the most uncreative scripts or unoriginal ideas in India but Tollywood!

Story & Screenplay

With minor changes from Azad, the storyline of Velayudham goes like this…

In a plot that resembles Vijayakanth’s movies, Tamil Nadu’s Home Minister is in cahoots with Jihadi Terrorists who wish to destabilize India by bombing Chennai. Yeah right! Even terrorists are bored of bombing the same old Mumbai or Delhi.

Bharati (Genelia), a journalist and her two male colleagues launch a crusade against the evils plaguing society.

A sting operation goes awry, both her colleagues are killed and Bharati too has a close shave with death.

The stupid thugs who killed them blow themselves up accidentally but not before giving a vaakumoolam (confession) to Bharati that they were involved in the previous bombing and another one is coming next week.

Bharati has a brainwave, conjures up a fictitious character called Velayudham, writes a note signed by Velayudham warning all criminals that he was responsible for killing the thugs and he would stop the next terror plot.

Meanwhile, a village milkman, Velayudham (Vijay in a never before seen role), his sister Kaveri (Saranya Mohan) and a bunch of cronies come to Chennai to collect the money he had invested in a chit fund company.

Velayudham ends up accidentally and unknowingly saving the public from the terror attacks while still staying unknown to the public. As usual, the stupid Tamil people start believing the existence of Velayudham just as they believed in the Indian Thatha, Kandasamy and Anniyan.

Once this news reaches Bharati, she solicits the real Velayudham to continue to play the fictitious one but he declines.

However when the chit fund company turns out to be a fraud and he loses all his money Velayudham, the milkman has a change of heart and Velayudham, the crusader is born.

The rest of the story is about how he foils all the terror plots and saves the people of Tamil Nadu. Continue reading »

Share
 
Share

Shahrukh Khan’s new film Ra.One is good enough for the Indian and NRI chutiyas who come merely upon hearing the name of a Khan or Rajinikant.

But for discerning souls like yours truly who have higher expectations, the Bollywood super-hero science fiction flick Ra.One is a  failure of imagination.

One more in a long list of disappointing Bollywood films.

Deja Vu

It’s a mighty shame that Indian film-makers who can’t even make simple movies have lately developed a restless itch on their cojones to put out super-hero movies.

Ah, the chutzpah!

First, there was Hrithik Roshan’s Krishh a few years back, then Rajinikant’s Enthiran last year and now we have Shahrukh’s Ra.One.

In a testament to the lack of imagination and originality, there’s virtually nothing in Ra.One that we haven’t seen before in Hollywood super-hero films or even Indian copycats like Enthiran.

Neither the ho-hum story nor the seen-it-all-before action scenes in Ra.One (story and direction by Anubhav Sinha) impressed us. Not one tiny bit.

Jumping on trains, running on walls, hurling cars, leaping in the air, stopping bullets and generally doing an Arnold Schwarzenegger is all so passe at best and tedious at worst without a gripping story to accompany the high octane activity.

Also, Ra.One is low on emotional quotient and fails to make a connection with the audience, at least the part of the viewers that doesn’t come merely at hearing the echo of Shahrukh’s name.

The story in its essence is about an angry super-villain Ra.One breaking out of the virtual world of a video game and entering into the real world in pursuit of a young boy Lucifer/Prateek (newcomer Armaan Verma), son of the game’s creator Shekhar Subramaniam (Shahrukh Khan). Continue reading »

Share
 
Share

King Khan’s super hero movie Ra.One has drawn ho-hum reviews from Indian critics.

Here are excerpts from a bunch of Indian critics:

NDTV

But, on the whole, RA.One is far too derivative to take anybody except the most gullible of moviegoers…

But, sorry, this isn’t ‘the next level’ of Hindi cinema, let alone superhero flicks. At least, let us all hope it isn’t. Comic-strip terminators do have their uses. However, when the idea is to whip up a bubbling brew that, in the time-honoured tradition of a Mumbai mass entertainer, seeks to embrace a bit of everything, the wannabe desi Superman can only fall between two very, very tall stools. But not everybody will hear the thud, though.

RA.One is like a colourful Popsicle that looks tantalising, tickles the palate while it lasts, but leaves no particular after-taste. Sound and fury? Loads of it. Significance? Not much.

Rediff

Even as Shah Rukh Khan flies over buildings, jumps over cars and even stops an out-of-control train with his bare hands, his valiant efforts to wow his audiences somewhat fail thanks to a weak storyline, some rather juvenile acting and a poor screenplay.

To make matters more unbearable, the dialogues go from bad to worse and Vishal-Shekhar’s music — barring a couple of numbers — has little to offer in a film that could have possibly ushered in an era of science fiction cinema in mainstream Bollywood.

Reuters India

Unfortunately, movie-making involves a lot more than just good product placements and marketing. It needs heart, and in spite of the sci-fi theme and hi-tech technology, “Ra.One” doesn’t have heart.

The weak link in this movie is the direction by Anubhav Sinha, your attention will waver a lot — the pace isn’t fast enough for a super-hero action flick and there are some inane dialogues that will make you laugh. Sinha tries to pack in every single element into the film, with the end result being it looks haphazard.

…Also, for a villain supposed to be evil and unbeatable, Ra One is surprisingly colourless and dull, preventing you from investing any sort of emotion for him — he just leaves you cold and Arjun Rampal’s expressionless acting is partly to blame.

IBN Live

…ambitious but flawed superhero film – every time we’re drawn into the simplistic but intriguing story of how Ra.One can only be vanquished by the game’s superhero G.One (also played by Shah Rukh), director Anubhav Sinha feels the desperate need to inject a dance number or a comical sequence or a melodramatic interlude into the narrative. It’s distracting from the superhero theme and more importantly, it makes the film clunky.

What’s missing from ‘Ra.One’ is a sure-footed director’s touch. Anubhav Sinha fails to bring all the elements together, and while this superhero film has plenty sound and fury, it’s sorely lacking slickness.

Economic Times

Shah Rukh Khan’s superhero character takes too long to boot in this science fiction flick. G.One arrives just five minutes before the interval point by when you have already restarted your system several times, which has been hanging into nothingness. And the film’s title character Ra.One, a skeletal villain, gets a face (Arjun Rampal) even later in the second half. Is it worth the wait? Only intermittently and inconsistently!

It’s certainly not a ‘dream’ start for the film with a tacky video game prologue merely to accommodate starry cameos of Sanjay Dutt and Priyanka Chopra. Not only does director Anubhav Sinha take too long to arrive, the initial proceedings don’t contribute much to the film either. Too much of screen-time is expended on vulgar jokes and tomfoolery.

Related Posts:
Ra.One Review – A Failure of Imagination

Share
 
Share

7Aum Arivu is a silly bore that bizarrely seeks to meld fictional Tamil history, fictional Tamil pride and fictional biological warfare for the sole purpose of bamboozling Tamil movie fans into parting with their real money.

Silly, Lifeless Film

The movie builds on the myth of a historical martial arts fighter and medicine man called Bodhidharma (Surya), who’s said to have traveled from his home town Kanchipuram to China some 1,600 years back and helped villagers there.

It takes about 23 minutes of screen time for Bodhidharma to traverse thick forests, sandy deserts and snowy mountains to reach the Chinese village of Nangyang, cure their sick children and adults from a deadly virus, save the villagers from marauding horsemen, teach them martial arts and ultimately die of poisoning so that the locals may live happily ever.

Anon, we’re back in present day Chennai to endure the tiresome trifecta of a romance between circus artiste Arvind (Surya) and genetics engineering researcher Subha (Shruti Hassan), a malevolent Chinese effort to launch biological warfare on India via street dogs and the genetics researcher’s efforts to revive hereditary talent through DNA (i.e. bring back Bodhidharma’s legendary prowess into the circus artist who belongs to the same lineage).

* The romance is insipid thanks to the poor script, Shruti Hassan’s abominable performance and absence of any chemistry between the lead pair Surya and Shruti.

* The ‘Operation Red’ Chinese effort to launch a biological attack and their intelligence agent/villain Dong Lee’s hypnotism nonsense are unconvincing and border on the comical. Vietnamese actor Johnny Tri Nguyen plays the villain Dong Lee with all the elan of a clown who had one drink too many.

With his head tilted to one side, eyes staring stupidly and walking like an emaciated Arnold Schwarzenegger, Dong Lee lacks the panache of a scary villain but packs the promise of a good Mongoloid Vadivelu.

* The genetic research aspect is absolute hogwash with not one ounce of credibility in it. Particularly, toward the end it descends into the farcical as Subha and her menagerie revive Bodhidharma’s extraordinary talents into the circus artiste Arvind in 12-days.

By the way, the action scenes including the final clash between Arvind (Surya) and Dong Lee were a big let-down. Hopelessly ordinary.

Even by the crappy Tamil movie standards, they were disappointing.

Surya – Decent Effort

We were not bowled over by Surya’s performance but found him mostly adequate by Tamil movie standards.

At least, Surya brought some passion to his performance and didn’t pee all over himself a la Vikram in that stolen trash Deiva Thirumagal.

However, Surya proved disappointing in the crucial Yamma Yamma song.

What a shame, his dejection and anger after being jilted/duped by Subha failed to come through effectively.

Shruti Hassan – Not Kamal Haasan’s Daughter

Say what you will, we refuse to believe Shruti Hassan is really Kamal Haasan’s daughter.

There must have been a mix-up at the hospital. Continue reading »

Share
 
Share

Just finished watching the first half of 7Aum Arivu at a theater on the East Coast.

We never thought there’d be an actress worse than Trisha on this planet.

But today we found a monster million times worse than Trisha in the acting department.

And its name is Shruti Haasan.

Devoid of any expression, this monstroshitty’s sole claim to fame, and the only reason she finds a role in movies, is that she happens to be Tamil film star Kamal Haasan’ s daughter.

Disgusting.

Intermission is over and the movie has resumed.

Related Stories:
7Aum Arivu – Silly, Lifeless Bore; Shruti Haasan is Not Kamal Haasan’s Daughter, No Way

Share
© 2012 SearchIndia.com   Privacy Policy Suffusion theme by Sayontan Sinha