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No

It is the stunning, startling No that will be heard by moviegoers around the world this weekend and rake in hundreds of millions of dollars at the box office.

And deservedly so.

For never has a No carried so much weight.

Particularly for the human race.

After all, Caesar has said No!

Fine Entertainer

Folks, Rise of the Planet of Apes, ably directed by Rupert Wyatt based on the story by Amanda Silver and Rick Jaffa, is a fine movie that had moviegoers at a theater in the mid-Atlantic region lapping it all up.

It was one of those rare occasions where we heard claps at the end of the movie. No kidding, guys.

Well written, well-executed and well-acted, Rise of the Planet of the Apes is a science fiction movie set in present-day San Francisco.

Working at the intersection of humans and chimps, the movie offers an engrossing account of how scientific research into a cure for Alzheimer’s disease triggers unintended consequences that ultimately proves catastrophic to the human race.

James Franco plays Will Rodman, a researcher racing against the clock to find a cure to for Alzheimer’s.

Will’s anxiety and feverish rush to get results is understandable since his father has the dreaded disease that’s slowly robbing him of his mind.

As with a lot of scientific research involving new drugs, Will’s work too involves testing them on primates. But when a chimp escapes from its cage and runs amok, Will’s research project is shut down and all the chimps ordered to be destroyed.

One chimp has just given birth and the lab attendant is reluctant to kill the baby chimp.

So Will takes it home to his father’s delight, names it Caesar, and then he uses the same experimental drug on his father. Voila, the old man starts feeling better, a lot better.

But then Caesar is growing. And he’s no slouch in the head either.

Au contraire, our adorable Caesar, he with the memorable, expressive eyes, has inherited his late mother’s intelligence.

In one touching scene, the alert Caesar helps Will’s father get his eating fork into the right position. Continue reading »

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Indian ‘slumdog’ Latika aka Freida Pinto (of Slumdog Millionaire fame) may be a pretty girl.

But the reviews for Freida Pinto’s new film Miral, which is set for release here in the U.S. on March 25, 2011, are definitely not pretty.

In fact, the reviews for Miral are downright ugly.

Set in the Middle East, Miral is described as a biographical political film.

Freida Pinto plays the central character Miral.

Image: NYT

A short while ago, we checked Rotten Tomatoes to see how Miral was faring at the hands of critics.

Of the 15 reviews available at 9:00PM EST on RT, 12 were critical.

That’s dismal for a movie. Make that awfully dismal. Continue reading »

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Voila, Slumdog Millionaire star Freida Pinto is on the cover of the Sunday New York Times Style Magazine (not to be confused with the more prestigious New York Times Sunday Magazine).

Image: NYT

Just yesterday, at the Lincoln Plaza in Manhattan just before Robert Duvall’s much talked about Get Low started we espied Freida in a preview (trailer) of Woody Allen’s upcoming You’ll Meet a Tall Dark Stranger Continue reading »

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Slumdog Wins Best Picture Oscar

(For GK, Gandhiji & his many avatars, The Gora & Terraferrous)

All ye Bollywood curs, hang your heads in shame because the Slumdog is soon gonna expose you.

An Oscar-worthy gem and the finest movie made in India this century, Slumdog Millionaire (based on the novel Q and A by Indian diplomat Vikas Swarup) is coming to India in January.

Naturellement, as fine a movie as Slumdog Millionaire can’t be from a Bollywood director (although plenty of Indians do feature in this English movie directed by British filmmaker Danny Boyle, produced by Christian Colson and distributed by Fox Searchlight).

Outstandingly executed, Slumdog Millionaire is the riveting life-story of an 18-year-old Mumbai ‘slumdog’ and chaiwallah Jamal (Dev Patel) who happens to win the Indian version of Who Wants to be a Millionaire much to the bafflement and chagrin of the program’s host (Anil Kapoor).

Jamal is a slumdog, with his roots deep in the bowels of Mumbai’s slums. Ergo, he must be cheating in some way to get at the right answers. Right?

So this young man is promptly dispatched to the police station where Jamal undergoes what thousands of Indians unfortunate enough to enter the precincts of a police thana experience everyday across the country – merciless thrashing.

When the beatings don’t work, the police inspector (Irrfan Khan) ups the ante telling his underling Srinivas (Saurabh Shukla a.k.a. Kallu Mama of Satya) – A little electricity will loosen his tongue. Give him.

But even the electric shocks administered by Srinivas don’t yield a confession of cheating from the young boy, who resolutely maintains - I knew the answers.

How does young Jamal know the answers to difficult questions that would stump even the most educated Indian. Like for instance, whose figure adorns a $100 bill?

No, we won’t tell you how Jamal knows the answers to some of the most difficult questions.

All we’ll tell you is that Jamal goes on to tell the police inspector an incredible story that is brought to life in an extraordinary manner rarely seen on the big screen in India or elsewhere. Continue reading »

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