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When it comes to con jobs, it’s hard to beat our desis.

No one comes anywhere near Indians when it comes to ripping off others.

Take for instance Mumbai Bistro in Philadelphia.

The rascals at Mumbai Bistro position the restaurant as offering Fast, Fresh, Home-Style Indian Food.

Folks, Fresh and Home-Style, Mumbai Bistro’s food definitely is not.

You see, our suspicions were aroused when our order of Naan and Kulcha came out in a jiffy.

We wondered how the Naan and Kulcha could be made so quickly but we kept our unease to ourselves.

A little while later, as we were exiting the rest-room opposite the kitchen our eyes fell on the frozen Naan packets piled in the restaurant’s tiny kitchen.

The game was up with these charlatans.

Fresh, Home-Style Food?

Balls (more on this later)!

Food by the Pound, Tiny Place
Located on Locust St between 9th and 10th Streets, Mumbai Bistro is a small place that mainly serves north Indian vegetarian and non-vegetarian fare. More like a take-out place with about six tables. You pick up a plastic plate or box and fill it up with the choice of your items at the steam table (again, hardly the touted fresh), take it to the the cash counter, pay for it by the pound (@ $4.95/lb), grab a table, chow down your food and get out.

If you are looking to have a leisurely meal in a nice, comfortable ambiance, then Mumbai Bistro is not for you. Continue reading »

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(For Racer44 who first alerted us to Romance on the High Seas)

Everything I’ve ever said about women like you on boats like this with men like me certainly turned out to be true. – Jack Carson’s character Peter Virgil to Doris Day’s ‘Elvira Kent’

It’s 11:12PM on the East Coast and after watching two movies today we’ve hit the bottle, first with a Jagermeister-Pinacolada cocktail and now a glass of Tia Maria liqueur is soothing us.

Delicious high, we tell ya. ;)

First, we watched Michael ‘Casablanca‘ Curtiz’ Romance on the High Seas (1948) and after a brief Jagermeister break, we followed it up with There’s Something About Mary (1998).

Folks, Romance on the High Seas (1948) is a charming romantic comedy that Tamil film star Kamal Haasan turned into an abortion recently with his unwatchable crap-show Manmadhan Ambu.

Made in 1948, Romance on the High Seas marked Doris Day’s debut on the screen as a young, poor singer Georgina Garrett unexpectedly landing an opportunity of going on a sea cruise under the guise of a rich businessman’s wife Elvira Kent.

You see, Elvira Kent is a hyper-suspicious woman who’s convinced her husband is having an affair and wants to catch him in flagrante delicto while pretending to her husband that she’s on a cruise.

Meanwhile, Elvira’s husband Michael, equally paranoid and suspicious of his spouse’s loyalties, hires a private detective Peter Virgil (Jack Carson) to follow his wife, who he thinks is going on the cruise.

Whaddayathink?

Before you can say Jack Rabbit, romance is brewing on the cruise-ship between the detective Peter Virgil and the fake Mrs. Elvira Kent.

The movie proceeds at a brisk pace, the photography is impeccable and Michael Curtiz’ direction A-class. There are plenty of clever lines in the film like the one we provided at the top.

A decent actor, Jack Carson certainly threw in a memorable performance in the film. We loved Carson in the great film Mildred Pierce and we love him here again. Tis’ a pity the fella died early (just 52 when he died of stomach cancer in 1963).

Doris Day is alright but Carson is way ahead in the acting department.

Did we tell you that Romance on the High Seas is actually a romantic musical comedy. Probably not. The movie features several fine pieces including the famous It’s Magic, Put em in a Box, The Tourist Trade and Run, Run, Run.

Bloody Theft
Considering we’d recently the Tamil film Manmadhan Ambu, we were taken aback by the extraordinary similarities between the story of the Tamil film and Romance on the High Seas.

By the way, Ulaga Madayan a.k.a Kamal Haasan is the lead actor in Manmadhan Ambu and also takes credit for the story of the film.

Now, we know all ye schmucks with your lips wrapped around Kamal Haasan’s schlong won’t believe us so we’re providing y’all with proof via an exhaustive list of similarities between the two movies.

Get ready now.

Here comes the lengthy list of similarities between Romance on the High Seas and Manmadhan Ambu:

1. Boyfriend/Husband is a very jealous type

2. Boyfriend/husband is a young, rich handsome businessman

3. Boyfriend/husband is the cocky kind

4. The jealous boyfriend/husband hires a private detective to follow his lady love who is leaving on a cruise and report to him about any suspicious activity

5. Most of the events in movie happen on a cruise ship except for brief interludes at ports

6. The detective is an ex-army guy

7. Detective frequently keeps phoning in the boyfriend/husband to provide reports on the activities of the girl/wife Continue reading »

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Gun, knife, rope, the sea or the Annanagar Tower, take your pick, Kamal.

Folks, Kamal Haasan’s Manmadhan Ambu has fared worse than Vijay’s Sura, the colossus of nonsense, at the UK box office.

Bollywood Humgamma has put out the Manmadham Ambu U.K. box office numbers and, oh, they are shameful, pitiful and disgraceful.

This piece of junk should not have been released in theaters but should been reserved for friends and family of the clown.

For the five-day opening Christmas Weekend, Manmadhan Ambu could manage only a piffling £50,095 at the UK box office with an average gross of a mere £2,947.

Can it get any worse?

Un kannil neer vazhinthaal
en nenjil uthiram kottuthadi

Ha ha ha ha. Serves the idiot right for unleashing such trash on viewers.

Here, see for yourself in the below table how miserably Manmadhan Ambu has fared at the UK box office in the opening weekend compared to a few prominent Tamil movies: Continue reading »

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As the cold winter days relentlessly sound the come-hither dirge, we have but Bacchus and music for company.

Here are some music tracks we’ve recently acquired:

* Where Have All the Cowboys Gone? – A fine number from Paula Cole. According to the folks at Wiki, this song made it to the top ten of Billboard Hot 100 in 1997

*L’Homme du Train – A lovely piece from the soundtrack of the eponymous French film.

* Inglourious Basterds album – Great soundtrack from a fine movie. Contains several tracks from our eternal favorite Ennio Moricone.

* Sheila Ki Jiwani – An ‘item’ song from the crappy movie Tees Maar Khan

* Kaavalan album (Tamil) – Unsatisfying collection from a forthcoming Vijay movie.

* Manmadhan Ambu album (Tamil) – Do not waste your time on this collection from the recent Kamal Haasan film of the same name.

Related Content:
Music We’ve Acquired Lately 10 – Aandhi, Paiyaa, Chori Chori, Daddy Cool, Pretty Woman
Music We’ve Acquired Lately 9 – Ennio Morricone, Kandathai Sollugiren, Bees Saal Baad et al
Music We’ve Acquired Lately 8
Music We’ve Acquired Lately 7
Music We’ve Acquired Lately 6
Music We’ve Acquired Lately 5
Music We’ve Acquired Lately 4

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Angry moviegoers collectively unzipped their fly and roundly peed on Bollywood star Akshay Kumar, a habitual beneficiary of theft, over his latest crap-show Tees Maar Khan.

Tees Maar Khan – Rotten at Box Office
Folks, Tees Maar Khan has fared miserably over the Christmas weekend at the U.S. box office.

Universally scorned by critics, the movie is a piece of shit and richly deserves to fail.

The long Christmas holiday weekend in the U.S. is an excellent opportunity for Bollywood producers to cash in at theaters.

Last year, Aamir Khan’s 3 Idiots did $2.1 million over the 5-day Christmas weekend here. Tees Maar Khan could manage only about a third of 3 Idiots’ total gross.

Here’s how badly Tees Maar Khan fared at the box office compared to a few prominent Bollywood films:

Related Stories:
Tees Maar Khan Review – Insufferable Trash

Tees Maar Khan Hammered by Movie Critics

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I suppose no one ever has faith enough.
- Philip Carey, in Somerset Maugham’s Of Human Bondage. p.55

Despite bombarding God with prayers, the Almighty fails to fix young Philip’s clubfoot leaving him very disappointed.

The sentence is a bitter, sarcastic indictment against God, against the doctrinaire belief that we must keep faith, against believing in miracles.

But the boy still does not give up on faith easily.

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Rarely ever do we watch a film and at the end tell ourselves, Man, this is so good. I’m gonna see it again.

The French film L’Homme du Train (The Man on the Train) is one such delightful exception, a movie so bewitching that we plan to stream it a second time on Netflix Instant Play. Soon.

Great acting, nice humor, an offbeat story, lovely music and good writing converge to create a poignant classic that lingers in the mind long after the last credits flash by.

Directed by Patrice Leconte, L’Homme du Train (2002) is essentially a story of two people, contrasting characters.

The setting is a small French town with a bank, a baguette and just a few other establishments.

To this ‘not so lively little’ town comes a gangster Milan (Johnny Hallyday, a.k.a. the French Elvis) on the train with the plan of robbing the local bank.

At the pharmacy, where Milan has gone to purchase some aspirin for a severe migraine his path collides with that of retired poet Monsieur Manesquier (Jean Rochefort). Continue reading »

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(Dedicated to SI blog reader Gora, who first recognized the charlatan. This post is mainly for our North American readers who understand the context better.)

Tis’ Christmas eve in America
Columbia Mall on Patuxent Rd is full
the Starbucks Latte line is long
but I have no cause to smile
for I ain’t got no job this year
Where have all your promises gone.

There’s a deep chill in the air
powder snow on the ground
All day long and all night,
I’m short of breath
gasping, gasping for O2
but I ain’t got no public option
Where have all your promises gone.

Was clinging to mama’s tits
when I crossed the Rio Grande.
Today I’m an honors student
scared of being victim #391,478
on your deportation order this year
Where have all your promises gone.

I used to enjoy my Internet
all my apps used to run fast
Net neutrality was my assurance
until you sold us out to the ISPs
Where have all your promises gone.

On my fifth tour of Kandahar
I know the back roads of hell.
Between the landmines and jihadis
I got no hope of returning alive
Where have all your promises gone.

Social Security & Medicare
flounder on rocky shores
But to fill your campaign coffers
you gave tax breaks to the rich
Where have all your promises gone.

You are the 21st century Judas
who treacherously betrayed us
You dashed our hopes
the ones who lifted you up
In your traitorous greed
all you care about is another term
Where have all your promises gone.

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From the New York Times to the Times of India and beyond, Akshay Kumar’s latest movie Tees Maar Khan has been brutally torn apart by movie critics.

Here’s what a sample of critics had to rant against Tees Maar Khan:

* Reuters

[O]ne of the year’s most awaited and hyped films has turned out to be a dud of the highest order.

* Rediff

TMK, scripted by Khan’s husband Shirish Kunder, is like that tasteless, dull chewing gum that you feel like throwing away as soon as you take the first bite. With each bite, the film tastes worse.

* DNA

Tees Maar Khan is a classic example of a cluttered film in which a hodgepodge of characters incoherently jabbers ludicrous dialogues building up an odd plot that just refuses to make any sense at any point of time.

* Times of India

All the characters end up as mere caricatures and completely fail to build up an emotional quotient in the film….But eventually, fun needs a foundation too and spoofs need some substance to carry them through. TMK has colour, humour, pace but nothing does seem to fall in place in terms of plot and character connect.

* New York Times

Ms. Khan, who is also a choreographer, has a bright pop sensibility and a determination to keep things light. But here, saddled with a slapdash, not-clever-enough script by Shirish Kunder (her husband), she can’t pull a magical movie out of her hat. Nor can she make her stars as winning as they need to be. Mr. Kumar and Katrina Kaif mug and dance and work hard, but they’re not called upon to play characters so much as shtick figures, and the cartoonish world they inhabit isn’t appealing or buoyant enough to carry the day.

* SearchIndia.com

Insufferable trash.

* Economic Times

The dialogues written by Shirish Kunder and Ashmith Kunder in synchronized stanzas try too hard to be funny but fall flat at most instances and are repeated too often without much repeat value….Tees Maar Khan doesn’t even guarantee thirty good laughs in its three hour runtime.

* NDTV

Tees Maar Khan, adapted from After the Fox, by writers Shrish and Ashmit Kunder, is disappointingly limp and insistently low IQ….In Tees Maar Khan, everyone is overacting as though life depends on it. There is a lot of screaming, grimacing and heaving.

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The fickleness of the women I love is only equaled by the infernal constancy of the women who love me.
- George Bernard Shaw, in The Philanderer act 2 (1893) cited in Yale Book of Quotations, p.702

George Bernard Shaw wrote/said a lot of cute things in a long life. The above is one of our favorites.

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