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Goddammit, sometimes the Devil plays havoc with me.

Here I was blissfully mowing my lawn this afternoon (and in a spirit of charity of my foreclosed neighbor’s as well) under a weak mid-Atlantic sun when there came about an insatiable Fandango itch to check what new movies were releasing this Friday.

Holy moly, The Dictator was releasing today.

Abandoning my foreclosed neighbor’s overgrown weeds to the mercies of the town authorities, I rushed to see if Sacha Baron Cohen was going to repeat a Borat.

Harrison Ford was Right

Sitting through The Dictator, it suddenly dawned on me how right Harrison Ford was.

Notwithstanding all the ooohs and aaahs over his Indiana Jones, I’ve always considered Harrison Ford a walking, talking advertisement for lobotomy surgery.

That is, you can have your brains removed in full and still fool people with the appearance of a normal human being.

But I consider Ford a genius for one thing and for one thing only – for telling Sacha Baron Cohen to Fuck Off when the British actor tried to ambush him with an interview while filming Brüno.

Fuck Off Sacha, Fuck Off Sacha, Fuck Off Sacha…..I kept repeating while wearily sitting through his latest misadventure The Dictator.

Rarely funny, frequently crude, offensively obscene and mostly tasteless, The Dictator reminded me of Bollywood films where the hero (often Akshay Kumar) pre-warns fans to leave their brains at home before heading for his movies.

Even that insane strategy wouldn’t work here because The Dictator is so hopelessly crude and trashy.

Besides acting as the film’s eponymous dictator, Sacha is also guilty of co-writing and co-producing this piece of junk.

Poor Writing

An ugly old Irish crone once told me that writing is hard.

To which yours truly adds, writing humor is infinitely harder.

The dividing line between crude humor and crude garbage can be measured in microns.

The Dictator’s main problem is that Sacha crosses that line far too often, flinging an ‘unfunny’ curse on the comedy.

The principal villain of the Dictator is in the hopelessly mediocre writing.

Except for rare moments that evoked a mild smile but certainly not guffaws, it’s a trial to sit through The Dictator, which is centered around the antics of Admiral General Aladeen, dictator of the fictional North African nation of Wadiya.

On the verge of developing nuclear capability, Wadiya has been placed under sanctions and is at risk of imminent military strikes from the United States unless Aladeen addresses the United Nation and turns a democratic leaf.

And so Aladeen, like all of of Sacha’s previous characters, comes to America, where much of the film is set.

The sight of the immensely talented fine British actor Krishna Bhanji aka Ben Kingsley, who plays the dictator’s Uncle Tamir, kissing the dictator’s armpits and then getting kissed by him on the lips is proof that some members of the Homo Sapiens will stoop to anything, anything to hear the jingling of a few silver coins in their pockets.

Pint-sized Anna Faris brings great verve and energy to her role of activist and ‘green’ grocery store manager Zoey while Jason Mantzoukas turns in an animated performance as Nadal, the ‘executed’ head of Wadiya’s nuclear agency.

Alas, all in vain for the movie is 99% about the Wadiya dictator’s antics, where the movie falls flat.

Unlike Anna and Jason, Sacha, the pivot of this film, merely went through the motions, never once making me sit up in my chair.

Being a Sacha Baron Cohen movie, nudity, masturbation, scatology, racism, sexism and assorted vulgarity are de rigueuer but seldom are any of them funny.

During my visit, the movie hall was mostly empty and I rarely heard any laughter suggesting I had other companions in misery, who too were sitting suffering through this so-called comedy.

All in all, The Dictator wasted my time and money and left me with an unkempt lawn.

Your favorite blog SearchIndia.com strongly urges you to stay away from The Dictator (not that I expect you chutiyas to even consider watching a Hollywood comedy).

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We bet you haven’t seen anything like this, not even in Incredible India.

Bizarre, indeed.

Curry Holes on Oak Tree Road

On a short, four-mile stretch of Oak Tree Road that runs through the New Jersey towns of Iselin and Edison in Middlesex County, there are now 56 Indian restaurants.

Yes, schmucks. We said 56.

Whaddaya think? That we can’t type or count?

Shalimar Food Land Chilli Paneer, Mirchi Andhra Tandoori Chicken
No, we’re not counting the mom-and-pop operations in the area engaged in providing tiffin and dinner services for bachelors and the H1B/L Visa types. If you include them as well, the numbers would probably hit 75 or more.

For this post, we’re counting only those restaurants that have a brick and mortar commercial structure and a clear signboard. Continue reading »

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I am a barber by profession, murderer by accident, and today a human because of you.
- A repentant Vidyasagar (Rajinikanth) to Archana (Sridevi) in the Tamil film Johnny (1980)

Considering the abysmal quality of most Tamil movies that are made by schmucks for schmucks, the over three-decades-old Johnny is a darn good film.

And the credit in our not so humble opinion ought to go first to director Mahendran, second to music director Ilayaraja and finally to the Rajinikanths (yes, there are two).

Such is the appeal of the film that 32 years after its debut, some SI blog readers still hanker for the Johnny review.

Fine Music

An embarras de richesse, surely Johnny’s melodious songs will continue to be hummed and listened to long after the key people involved with the movie cease to walk the earth.

We enjoyed all five songs in the film but the tribal dance-song Aasaya Kaathula Thoodi Vittu is the one that gave us the most intense orgasm.

Fired our rocket straight into the stratosphere, this song.

Besides the infinite charm of its music, the picturization and dance too were decent in the Aasaya Kaathula Thoodi Vittu number.

Far too often, even pleasing Tamil songs are badly let down by the crude picturization.

And ever so frequently, graceless apes in human garb with monikers like Jyothika, Trisha and Nayantara make a mockery of the dance form.

Thank God in this instance, the picturization featuring a dance by Subhashini and others in a misty/smoky haze did justice to the music.

Subhashini, by the way, is the less-known sister of yesteryear famous Telugu actress and present-day Congress politician Jayasudha.

We don’t know about you philistines but we can’t get enough of Aasaya Kaathula Thoodi Vitta or the wide-eyed Subhashini (now the plump mother of failed starlet Pooja).

Enn Vanilae is almost as pleasing, except that it has no picturization worth speaking of.

Just Sridevi playing the piano, surrounded by flowers and Rajini listening raptly.

A hauntingly beautiful melody, Enn Vanilae is perhaps one of the finest works of Ilayaraja.

Here, give your ears a treat by clicking on the below image.

In any case, by spending time poring over the review of a three-decades-old Tamil movie you’ve already shown that you are an unproductive putzhead with lots of free time on your hands.

So what’s an extra three minutes!   ;)

If you’re looking for a peppy number to rock your cojones, there’s the funny Senorita, I Love You…You Love Me.

This song features the Vidyasagar version of Rajinikanth and the sexy siren from Kerala Deepa aka Unni Mary.

Alas, the picturization is below par.

Story

Johnny’s story is nothing to get too excited about.

We have two Rajinikanths.

The first Rajinikanth is a bespectacled, pipe-smoking barber Vidyasagar who works only by appointment.

The second is the film’s eponymous Johnny, a criminal given to robbing and duping people to settle his father’s debts.

We don’t know much about the backgrounds of the two key characters except that the second is the illegitimate son of a Zamindar (a village landlord).

Given Johnny’s criminal activities it’s not surprising that before long the police is after both Rajinikanths. The barber is under suspicion because the police is unaware, at least initially, that there are two people with similar looks.

Sridevi, who gained fame in the 70s and 80s and the sobriquet Ms.Thunder Thighs, for lavish display of her plump thighs to compensate for lack of looks or acting talent, plays Archana, a famous singer.

Whether Johnny is merely besotted with Archana’s mellifluous voice or the lady herself is not clear.

Deepa is cast opposite the barber and plays a poor maid.

Her character Bhama lends a comic touch by always aspiring for something better, be it sarees or men.

Suruli Rajan, the popular comedian of  the 70s era Tamil films, is Johnny’s side-kick.

Two Rajinikanths

99.99% of Indian movies are male-centric and Johnny is no different.

One or the other Rajinikanth is always on the screen.

Unlike present-day Rajinikanth films where he’s often cast in super-hero roles to pander to his superstar image, both Rajinikanths in Johnny play down-to-earth characters.

Hell, the two Rajinikanths in Johnny are seen getting tired after running just a few hundred meters.

Au contraire, today’s Rajinikanth wouldn’t take an extra breath even after vanquishing an entire police force or the military (remember Enthiran?).

While he most certainly doesn’t set the screen on fire with his acting, Rajini is adequate in both roles.

Just when you thought the story is heading into boring territory, Mahendran provides a good twist jolting us.

Besides direction, Mahendran is also responsible for the dialogs and direction.

It’s a shame that Mahendran has been inactive for a long time, thereby allowing the rise of buffoons like A.R.Murugadoss, Venkat Prabhu and Korangusamy oops Linguswamy.

If you ask us, we found the barber Rajinikanth the more interesting of the two.

Shortcomings

Frequent use of slow-motion photography to show Rajinikanth leaping and running betrays a lack of imagination and conveys very little of whatever was intended.

How is it that the two Rajinikanths look so similar. Except for his eyeglasses, hairstyle and mustache, the barber Vidyasagar looks the same as Johnny.

Unfortunately, Sridevi is covered up demurely all the time.

Not giving us even a short glimpse of her luscious ‘thunder-thighs’ was nothing short of treachery on Mahendran’s part.

Of well, at least we got to see her made-for-blowing mouth. ;)

Johnny – SI Recommendation

Deepa looks her sexciting best.

Apparently, the seductive babe is now into evangelical stuff after a decade of dick-raising work in Malayalam and Tamil films. Lucky Jesus!

North America’s best Indian blog SearchIndia.com recommends Johnny.

We bet our last Nickel you’ll be wowed by the music as much as we were.

You can stream Johnny for free on your big-screen TV via the BollyVerse channel on Roku.

Caveat: There are some issues with the picture quality. For about five minutes in the middle of the film, the screen went blank. God knows what we missed!

Read SI’s Other Tamil Movie Reviews:
Mullum Malarum – Rajini Could Act, Once

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If JFK’s inaugural address were to happen today, the lecherous bastard would probably say, Ask not what you can eat at Bengali Sweet House, ask why you won’t.

Bengali Sweet House is the hidden gem in that Indian cesspool known as Newark Ave in Jersey City, NJ.

Given that Indians are weird specimens, be they in Mera Bharat Mahaan or Amreeka, it’s not in the least surprising that Bengali Sweet House in Jersey City should serve not a Bengali meal but Gujarati food.

Only an Indian restaurant sporting the name Bengali Sweet House would venture to offer a Gujarati meal!

But what’s in a name as the bard would say.

So delicious was our Gujarati meal that we swooned.

We swear on Abhishek Bachchan, Priyanka Chopra, Trisha Krishnan, Ajith and Sameera Reddy. ;)

Bengali Sweet House Buffet LunchBengali Sweet House Gujarati Lunch Buffet

Bengali Sweet House Jersey City – Vegetarian Lunch Buffet Items

During our visit Bengali Sweet House’s weekend Gujarati lunch buffet ($7.99) included a sumptuous array of vegetarian dishes – Gota for appetizer, Bhindi Masala, Palak Paneer, Mixed Vegetable Curry, Kadi, Dal, Plain Rice and Roti for main course, Green Chutney, Tamarind Sauce, Raita, Pappadum for sides and Mohan Thal for dessert.

In one word, the Bengali Sweet House lunch buffet was “Delicious.

Appetizers or entrees, dessert or Rotis, the meal was a blessing to our demanding taste buds.

Every single item had a rich flavor, nice aroma, fine taste.

And they were all piping hot and seemed fresh.

Here are the details of our Bengali Gujarati dining adventure: Continue reading »

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The wise souls at SI have long held that Tamil film director Gautam Menon puts out mostly trashy films.

Menon’s Tamil film Vinnaithaandi Varuvaayaa (2010) was a piece of junk.

But trash too finds eager takers in some quarters (hint: it’s a two-word South Indian state starting with T) and was lapped up by a troupe of monkeys who love to watch the antics of other monkeys.

A veteran recidivist, Menon has now unleashed Ekk Deewana Tha, the Hindi version of the aforesaid Tamil junk, to withering scorn from Indian movie critics.

A comeuppance, that in our not-so-humble view, is well deserved considering Menon’s repeated assaults on the craft of movie-making.

Here are excerpts from a sample of caustic reviews for Ekk Deewana Tha:

Rediff:

While there are directors who dig relentlessly for a new theme around which a rom-com can be built, there are others such as Gautham Menon who believe old cliches are the best plot points for a love story….And with the spark missing, the innumerable tiffs and make-ups and casual kisses just serve in endlessly prolonging the film….music doesn’t make an impact.

IndiaFM:

EKK DEEWANA THA fails to leave an impact for a valid reason: A beaten to death plot tends to stagnate after a point. Also, Menon overstays the hospitality by dragging the film in its second hour. Just when you think the story would conclude, Menon does a time travel and starts a new chapter in this never-ending love story. That, honestly, only makes this snail-paced movie a taxing and cumbersome experience.

Reuters:

Sometimes even the worst films can redeem themselves with a moment of lucidity. Just as you are struggling to make sense of Gautham Menon’s “Ekk Deewana Tha“, the heroine — in a fit of emotion — tells the hero “there is nothing here, no chemistry or anything at all. Nothing”. And just like that, she hits the nail on the head.

This almost three-hour romance is the cinematic equivalent of listening to someone scratching their nails on a blackboard. You want to pull your hair out and tell them to stop it already. Unfortunately, Menon seems to be in no mood to listen. Just when you think it’s all over, it goes on for a little bit more.

Upper Stall:

Nothing and nobody has the right to force this onto an unsuspecting audience….Menon’s unbelievably contrived direction is so loud and uncultured, that even basic filmmaking techniques including dubbing (easily the worst in recent Indian film history – quite the norm in South Indian films lately), sound-design and, wait for it, ACTING – have assumed lower priority in the pecking order of technical frailties.

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If you love the heady thrill of good action films, if you relish the talent of Denzel Washington and if you enjoy an entertaining two-hours at the movies, then you definitely don’t want to miss Safe House.

The midnight show of Safe House at a theatre on the U.S. East Coast evoked a good response with over 50 people (mostly Black) braving the chill and filing into the hall.

Man, we haven’t had such a good time feasting our eyes over an action movie in months.

And we bet the rest of the audience too had an equally good time.

Scorching Action

Directed by Swedish film-maker Daniel Espinosa (of Snabba Cash fame) from a screenplay by David Guggenheim, Safe House sets a scorching pace from within 10 minutes of the start and never lets up till the end.

Set for the most part in Cape Town, South Africa, Safe House has Denzel Washington playing a rogue CIA agent Tobin Frost with superb finesse.

At CIA headquarters in Langley, the suits damn Frost as a ‘notorious traitor’ and in the same breath hail him as one of the agency’s finest.

But for the last nine years, Frost has been playing his own game and is now wanted for espionage in four continents! Continue reading »

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