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Like the upcoming Tamil offal Settai, movie remakes in India are a collision wreck of failure and insanity, compounded by the devil of laziness.

An abject failure of imagination and the insane Indian obsession for quick, easy money fueled by astonishing laziness, yes, that is the trademark Indian (dishonorable) tradition of remakes.

Before you can blink your eyes, Yaadon ki Barat becomes Nalai Namadhe; Bodyguard (Malayalam) is remade as Kaavalan (Tamil) and Bodyguard (Hindi); Ready (Telugu) turns into the trashy Ready (Hindi); (A)Singam (Tamil) morphs into (A)Singham (Hindi) etc.

But for the sin of Kollywood’s remakes of Hindi movies, Rajinikanth would still be heaving gunny bags of rice in the Kalasipalya market or issuing bus tickets as Sivaji Rao.

Now how would you dolts even comprehend what moi is telling ya!

Since most SI readers are schmucks, we can hear the echoes of all ye sniveling nitwits’ that as most Tamils don’t understand Hindi, it’s only fair that Delhi Belly ought to be remade in Tamil as Settai.

Is that so?

Then, by your demented logic, Kurosawa should have remade his Yojimbo, Seven Samurai and Ran in Bhojpuri and Gujarati to pander to moviegoers in Jharkhand, Bihar, Uttar Pradesh and the Khem Cho, Majama? dolts in Gujarat.

Ye, merdivorous strumpets, listen carefully now!!

The juggernaut of great movies transcends language and geography.

Alas, how would you philistines understand that!

Haven’t you blithering idiots, cock-sucking SOBs, heard of subtitles!

If an Indian movie perchance makes a few pennies or gains a few rounds of applause, you can be sure, just as day turns into night, it’ll be regurgitated in at least three other languages.

Or worse, remade decades later in the same language (Himmatwala, Don, Agneepath, Billa, Zanjeer, Khubsoorat etc).

This Indian remake exercise is aggravating, weary and tiresome for movie-buffs like SI but manna for the buffoons making up the Indian film industry since movie-goers in Mera Bharat Mahaan are just about learning to descend from trees and not make a grab for the bananas.

Settai Trailer Review

Settai marks SI’s first shot at brief reviews of movie trailers.

Delhi Belly was a decent movie but the Tamil remake is an emetic, if the Settai trailer offers any hints.

Arya is no Mamooty or even Imran Khan (Delhi Belly).

No! No! No!

Even by the lowly standards of Kollywood, this Arya bloke is a mediocre actor with an extremely narrow range of expressions.

Have you seen this worthless Arya humanoid trying the dancing thing?

Well, it brought tears to our eyes!

Settai’s choreographers Kalyan and Dinesh should be asked to stand against a wall and forced to shave their heads by way of repentance for their sins! :(



Say, is there a reservation category for Muslims in the Tamil film industry?

How else can you explain a zombie like Jamshad Cethirakath a.k.a. Arya landing plum role after juicy role!

Now, of all the irritating creatures this overburdened, climate-challenged planet has the misfortune to bear, Premji effortlessly makes it in the Top 5.

Premji lacks the comedy flair of either Vadivelu or Santhanam.

Surely, Premji’s birth happened during a solar eclipse!

Any surprise, that no writers give Premji their best lines the way they do for Santhanam or Vadivelu.

Premji’s good fortune in life is that he was born to one of the sperms that escaped out of film composer Gangai Amaran’s scrotum!

If the word Danda-Soru can be applied to anyone in Tamil Nadu, it’s to this worthless piece of shit Premji Amaran!

Hansika Motwani, a Namitha in the making, does not have a single acting bone cell in her body.

Worse, this *^$&^#@* can’t speak a word of Tamil!

Shaniyane! Shaniyane! Shaniyane!

Anjali is a graceless simian who can’t dance and walks with the embarrassingly unseemly gait of a sloshed chimp.

The Walltax Road birds of the night we dipped our beaks into had infinitely more grace than this two-bit *^*#* Anjali! :(

One of the few talents in the South Indian film industry, Nasser, alas, has prostituted himself to F-grade trashy films (e.g. Rowdy Rathore).

Mediocre Music

In the first place, this Tamil obsession for filming in foreign locales (Switzerland in the case of Settai) is not merely bizarre but extremely vexing.

We’ve listened to all the songs in Settai and none of them (almost) seem like chart busters!

The Leila Leila song is not hopelessly bad, thanks to Andrea Jeremiah’s rendering of the song that seems to emanate from deep down her body! ;)

We just purchased Leila Leila from Apple iTunes for the lordly sum of 99-cents!

As for my affection for Andrea……let’s just say, I see a kindred soul in her!

Settai – Pitiful

Overall, the Settai trailer portends a pitiful shit of a movie featuring a pathetic bunch of jackasses!

Since vomit is the preferred diet of Tamil movie fans, we won’t be surprised if Settai turns out to be a big shit oops big hit!

Hello, is anyone surprised!

Related Posts:

Delhi Belly Review – Aamir Khan Gives Guy Ritchie a Neat BJ 

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UK Tamils have raised their middle finger to Bala’s latest movie Paradesi.

Is this the beginning of the end for Bala whose reputation has rested on producing “realistic” films on the subalterns (people living on the margins of society)?

Bala's Paradesi at Box Office

Related Stories
Paradesi Review – Bala Moons Yet Again

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by Madmax673

Summary – A flat out mockery of the struggles of tea plantation workers.

Hmm… ennatha solla (what else to say?)

Indha Kollywood karunkaali paya Bala marubadiyum marubadiyum sootha kaatran (this Kollywood empty dickhead moons at us over and over again).

Folks, say what you want to say – a dude who doesn’t know how to frame or compose a shot without physically abusing actors is not a filmmaker.

Period.

Obviously this alleged filmmaker has the intention of making the movie as “realistic” as possible, but the reality fades away as one is left without any sort of empathy for those poor souls who endured torture under British rule.

Story

Loosely based on a novel “Eriyum Panikkaadu” which is a Tamil translation of the 1969 novel “Red Tea by Paul Harris Daniel, the story is set in the village of Salur of Sivangangai district.

Adharva plays “Rasa” a.k.a. “otti peruki” a.k.a. “kusu perukki”, a village crier who is treated with prejudice by everybody for reasons unknown!?

The only person who cares for him is “Angamma” played by Vedhika.

She cares for him so much that they end up sleeping together.

The result is the eternal curse of Kollywood where a woman gets pregnant in “ore shot” (single f*ck) ;) Continue reading »

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(For SI Blog Reader Shadowfax_Arbit and possibly many other Karthik Fans )

Since SI is in a Karthik mood lately, we sat down to watch Mouna Ragam (1986).

Mouna Ragam is hailed as one of the finest films put out by Mani Ratnam, an highly overrated director in our not-so-humble opinion. Not surprising, given that in Incredible India if you can walk four paces without tripping you’re considered to possess great talent.

Fortified by one and half tall glasses of Margarita,  after digesting Obama’s State of the Union address and feeling a wee bit tipsy, we plonked down on the chair, turned down the lights and started the movie.

Besides directing the film, Mani Ratnam (yeah, he of the Kadal disaster) also wrote the story, screenplay and dialogs.

Mouna Ragam features Karthik, Mohan and that sexy siren Revathi.

God, Revathi mouth agape is so bewitching.

OMG, a mouth just made for….Never mind! ;)

We’ve already watched  13.36-minutes of the film and already into the first song – Oho Megam Vandhadho.

It’s one of those silly Indian songs in the rain.

The song has little to recommend it. Comes out of the blue at a bus stop!

The song has a rock-and-roll echo, a fusion number obviously inspired by Elvis’ Jailhouse Rock.

Elvis is not dead! Continue reading »

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Most Tamil films skid into one of two categories – Real Bad (usually featuring Surya, Karthi, Vijay, Simbhu, Vombhu, Kombhu et al) and the Disgustingly, Hopelessly, Offensively, Obscenely Bad (buffoons like Ajith, Trisha and Vishal are fixtures in this genre).

Since some of my readers have been lately wetting their jetties over a 17-year-old film Gokulathil Seethai featuring a B-grade star called Murali Karthikeyan Muthuraman a.k.a Karthik, I took a headlong  plunge into the film a few hours back to see what the hullabaloo was all about.

For those not in the know, Karthik’s claim to fame is that he is the son of yesteryear Tamil actor R. Muthuraman, the father of Gautham Karthik, whose recent debut film Kadal was a disaster, and an utter flop as a politician.

Fortunately for me, Gokulathil Seethai (1996) turned out to be one of those rare Tamil films that falls in the Merely Bad category. And that’s no small achievement for a Tamil film!

Be warned though that the film is looong: 2-hours and 45-minutes.

Travel writer Paul Theroux was bang on target when he wrote nearly four-decades back that “only tooth brushing silences” Tamils.

I recommend every Tamil film director be handed a toothbrush after 90-minutes so that the ceaseless blah-blah-blah can stop.

Besides being the director, Agathiyan wrote the story, screenplay, dialogs and the lyrics. Even Spielberg can’t wear so many hats!

Merely Bad

The biggest plus of Gokulathil Seethai is the all-round decent acting.

For the most part, the lead pair Karthik and the Bengali actress Suvalakshmi as well as the supporting cast of  Manivannan, Karan and Thalaivasal Vijay acquit themselves well and don’t give much cause for complaint.

I can’t remember if I’ve ever seen a Karthik film previously.

But his performance in Gokulathil Seethai certainly did not induce acid reflux in me like Ajith’s feeble attempts at acting in movie after movie.

Karthik plays the wayward, single son of a rich businessman (Manivannan).

Bad as his character Rishi is, Karthik plays it with a good bit of flair and panache. Continue reading »

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