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Delhi Belly is continuing its strong run at the U.S. box office.

Desis have been flocking to see this raunchy, toilet-humor filled entertaining Bollywood movie produced by Aamir Khan and starring his nephew Imran Khan.

For the second weekend, i.e. July 8-10, Delhi Belly grossed $375,225 with an average gross of $4,169 per theater. It came in at #22.

The total gross of Delhi Belly up to July 10, 2011 in the U.S. is $1,23 million.

Here’s how Delhi Belly fared in the second weekend at the U.S. box office compared to a few prominent Bollywood films:

Delhi Belly Box Office Report - 2nd Weekend

Related Stories:
Delhi Belly Review – Aamir Khan Gives Guy Ritchie a Neat BJ
Delhi Belly Box Office – Decent Collection

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Delhi Belly has done well at the U.S. box office.

Of course, the 4-day Independence Day weekend must have helped draw in the crowds.

Plus, the movie surely had decent word of mouth despite its crass, toilet humor (the title of the movie says it all).

For the July 1-4, 2011 opening weekend, Delhi Belly collected $701,824 with an average gross of $7,975.

Hey, those are respectable numbers considering the movie featured lesser known actors. Aamir Khan’s nephew Imran Khan was the only recognizable name, the rest including his two roommates and the two girls could well have come from Timbuktu.

Here’s how Delhi Belly fared at the U.S. box office compared to some prominent Bollywood movies:
Delhi Belly Box Office in the U.S.

Related Stories:
Delhi Belly – Aamir Khan Gives Guy Ritchie a Neat BJ

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(For Naveen)

Delhi Belly Box Office – Decent Collection

Oh, no darlin, we didn’t hate Delhi Belly.

Au contraire, it’s a pretty decent English film.

At least by Indian standards, Delhi Belly is most certainly an entertaining movie.

Paisa Vasool, as all ye putzheads like to say.

It’s just that we’re amazed to see Aamir Khan forever chomping on one film-maker or the other’s drill-bit.

This time, Aamir Khan goes down on British film director and former Mr.Madonna Guy Ritchie and neatly slides it  down his cavernous, stretched throat abyss.

Boy, Aamir Khan must have liked the experience so much. For it shows in Delhi Belly, which is a very slick movie, at least, for most of its 1hr-42min playing time.

BTW, one of the main characters in the movie even boasts about a blowjob he got from his girl-friend (at her wedding to another guy) and then gets into a rollicking, disco song.

Delhi Belly is in the mold of Guy Ritchie’s crime films like Snatch, RocknRolla and Lock, Stock and Two Smoking Barrels featuring a bunch of oddball, colorful characters with all the frenetic momentum, wild antics, weird twists and bullets flying. But all of it happens in Delhi Belly within the confines of an Indian setting.

You’re unlikely to get your undies wet if the Guy Ritchie genre is familiar terrain but you’ll likely still find Delhi Belly an enjoyable experience.

Now before you schmucks jump down our throat, Aamir Khan is the producer of Delhi Belly and makes a fleeting appearance as well in the film toward the end.

A fast-paced film centering around three youths (also roommates in a dingy place) who are trapped in a diamond smuggling enterprise accidentally, Delhi Belly is a wild-ride for those of you schmucks habituated to crude Bollywood drivel like Ready or boring romcoms like Tees Maar Khan. Continue reading »

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Here’s one of the biggest conundrums for all ye schmucks.

Why is it in Hindu majority India it’s the Muslim heroes in Bollywood who walk away with all the glory, a lot of the moolah and most of the box office successes while the Hindu heroes increasingly turn into zeroes.

Movie after movie featuring Hindu heroes sink without a trace while films starring Muslims often tend to do spectacularly well.

As all but the dimwitted know, the three biggest Hindi film stars in India today are Shahrukh Khan, Salman Khan and Aamir Khan. All of them Muslims. Two of them (Salman and Aamir) came from within the industry while Shahrukh was an outsider.

The three Khans are responsible for three of the biggest hits in the last couple of years – My Name is Khan, Dabbang and 3 Idiots respectively.

Now take the Hindu stars of Bollywood – Akshay Kumar, Hrithik Roshan, Abhishek Bachchan, Ajay Devgan and Ranbhir Kapoor (we exclude Sanjay Dutt and Shahid Kapoor because of their mixed parentage). With the exception of Akshay, the others have deep roots in the film industry like Salman and Aamir.

Of the five Hindu stars, Abhishek Bachchan is a cartoon and Ajay Devgan appeals only to a small section of loyalists. Ranbhir Kapoor has potential and could yet break the current Hindu jinx but he’s not in the big league yet.

That leaves only Akshay Kumar and Hrithik Roshan as the current contenders and challengers to the Khan hegemony over Bollywood.

In our analysis, Akshay Kumar’s raison d’etre is to inflict the maximum pain on moviegoers with stolen shit like Tees Maar Khan or unwatchable trash like Action Replayy, Patiala House, De Dana Dan, Blue, Kambakkht Ishq et al.

Housefull, Akshay’s sole saving grace in recent years, was directed by Sajid Khan, a Muslim.

Hrithik Roshan’s Kites with its Mexican heroine was not in sync with the Indian moviegoers’ ethos while his Guzaarish didn’t find favor with the audience either.

Of course, you dumkopfs would be right in saying that the Khans’ movies are no great works of art either.

To be sure, we didn’t like My Name is Khan, 3 Idiots or for that matter Dabanng even one bit.

So if the movies of the Muslim heroes are also no great shakes, what then accounts for success and superstar status of Muslim stars in Bollywood while Hindu heroes increasingly draw a blank?

Since there are no definitive research studies on the subject, here are a few hypotheses why Hindu heroes are increasingly finding themselves emasculated in Bollywood:

* Muslims turn up to watch the films of Muslim actors in large numbers but give the cold shoulder to movies featuring Hindu stars. This is a highly plausible explanation considering Muslims have a higher identification with their religion than Hindus have to their religion.

* Muslim stars do a better job of marketing themselves to their fans through various gimmickry, be it through accidents that kill sleeping footpath dwellers, throwing a tantrum at the airport entry-points or shaving their head. Continue reading »

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Dhobi Ghat Review – Less Dhobi, More Phony

All ye schmucks proclaiming Dhobi Ghat to be yet another work of art from the Aamir Khan stable, pay heed now.

Dhobi Ghat has met with a lackluster response from the audience. And rightly so.

Here’s how badly Dhobi Ghat fared at the U.S. box office in the second weekend compared to a few prominent Bollywood films:

Related Stories:
Dhobi Ghat Review – Less Dhobi, More Phony
Dhobi Ghat Box Office – Ha Ha Ha, Washed Out

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Dhobi Ghat Review – Less Dhobi, More Phony

Thank You, God (Allah, Ram, Jesus or wateva be your f*cking name).

Thank you with all our heart for sinking this mediocre shit a.k.a Dhobi Ghat.

Folks, the much publicized Aamir Khan produced Dhobi Ghat failed to generate even half-million dollars at the U.S. box office.

What a F*cking Shame!

Even that half-wit Abhishek Bachchan’s Raavan did more!

In its January 21-23, 2010 opening weekend, Dhobi Ghat did $365,297 at the box office with an average gross of $4,683.

Of course, the Aamir Khan bootlickers will now emerge out of the woodwork and declare what a great hit the movie is since it had several newcomers, how the desi audience in the U.S. is too dumb to appreciate good movies blah blah blah.

Rubbish.

Schmucks, let’s not forget that the movie has Aamir Khan acting in it, producing it and actively promoting it.

And yet the movie failed to touch even half-million dollars.

But with Kiran Rao’s abortion of a story, how could Dhobi Ghat be anything but mediocre on the screen and at the box office.

Here’s how badly Dhobhi Ghat fared at the U.S. Box Office compared to a few other prominent recent Bollywood films:

Related Reviews:
Dhobi Ghat Review – Less Dhobi, More Phony

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